Sat, April 8 | TONY CONRAD | Accordion (1981) & Palace of Error (1982/2011) | Anthology Film Archives, New York

Tony Conrad
Beholden to Victory, 1980/2007 (still)
Tony Conrad
Yellow Movie (video), 1973
citron Yellow Daylight Fluorescent Naz-Dar Screen Process Ink, Naz-Dar No. 5594, and Scrink Transparent Base, Craftint No. 493, applied over Super White Process Color, Art-Brite No. 700 on Black cards; GE F40BL Black Lights; contact microphones; speakers
Twenty 20 x 20 x 1/8 inches (51 x 51 x .3 cm) each
Tony Conrad
Yellow TV, February 3, 1973
Citron Yellow Daylight Fluorescent Naz-Dar Screen Process Ink, Naz-Dar No. 5594, and Scrink Transparent Base, Craftint No. 493, applied over Super White Process Color, Art-Brite No. 700, on Saturated Felt
25 3/4 x 36 inches (65.4 x 91.4 cm)
Tony Conrad
Untitled (Untitled (...mine if you ...yours [III]), 2009
Acrylic, underwear, bulletin board
36 x 46 1/2 inches (91.4 x 118.1 cm)
Tony Conrad
Loose Connection, 1972-2011
Super 8 to 16 mm/HD video
54 min, 54 sec
Installation view, Undone, Greene Naftali, New York, 2016
Installation view, Tony Conrad. Two Degrees of Separation, Kunsthalle Vienna, 2014
Tony Conrad
WiP, 2013
Installation view, Greene Naftali, New York, 2013
Tony Conrad
WiP, 2013
Installation view, Greene Naftali, New York, 2013
WiP, 2013
Installation view, Greene Naftali, New York, 2013
Tony Conrad, Installation view, Tony Conrad: Invented Acoustical Tools 1969-2014, Inverleith House, Royal Botanic Garden, Edinburgh, 2014
Tony Conrad
Harmonic Xylophone, ca. 1997
Wooden xylophone and mallet
19 x 13 3/4 x 4 inches (48.3 x 34.9 x 10.2 cm)
Tony Conrad
Studio of the Streets, 1990-1993
Four-channel video and acrylic panel with vinyl lettering
Panel: 144 x 26 inches (365.8 x 66 cm)
Installation view, Making Worlds
53rd Venice Biennale, Venice, 2009
Yellow Movie 2/16-26/73, 1973
Emulsion: Gull white flat interior latex. Magicolor No. 3011 - 11
Base: Studio white seamless paper
120 x 107 inches
Yellow Movie 3/4/73, 1973
Emulsion: Odorless White Flat A-C-M Scrubable Nu-Plastic Velvet by Arthur C. Mangles Industries Inc.
Base: Riviera blue seamless paper
173 x 106 inches
Tony Conrad
Yellow Movie 12/14-15/72, 1972
Emulsion: Citron tinted low lustre enamel, Speedflex Latex Colorizer, Brooklyn Paint & Varnish Co.
Base: White seamless paper
90 1/2 x 107 inches
Yellow Movie 2/26/73, 1973
Emulsion: Empire Yellow Gloss Enamel by Eaglo, odorless Magicote
Base: White canvas, stretched
33 x 42 inches
Tony Conrad
Performance view, Tony Conrad: Unprojectable: Projection and Perspective
Tate Modern, London, 2008
Pickled E.K. 7302-244-0502
#1, May 2006
16mm film stock preserved in pickling jar with vinegar, vegetables and spices
6 3/4 x 4 x 4 inches
Tony Conrad
Beholden to Victory, 1980/2007 (still)
Super-8 transferred to digital medium
Installation, infinite sequence
Dimensions variable
Tony Conrad
Beholden to Victory, 1980/2007 (still)
Tony Conrad
Yellow Movie (video), 1973
citron Yellow Daylight Fluorescent Naz-Dar Screen Process Ink, Naz-Dar No. 5594, and Scrink Transparent Base, Craftint No. 493, applied over Super White Process Color, Art-Brite No. 700 on Black cards; GE F40BL Black Lights; contact microphones; speakers
Twenty 20 x 20 x 1/8 inches (51 x 51 x .3 cm) each
Tony Conrad
Yellow TV, February 3, 1973
Citron Yellow Daylight Fluorescent Naz-Dar Screen Process Ink, Naz-Dar No. 5594, and Scrink Transparent Base, Craftint No. 493, applied over Super White Process Color, Art-Brite No. 700, on Saturated Felt
25 3/4 x 36 inches (65.4 x 91.4 cm)
Tony Conrad
Untitled (Untitled (...mine if you ...yours [III]), 2009
Acrylic, underwear, bulletin board
36 x 46 1/2 inches (91.4 x 118.1 cm)
Tony Conrad
Loose Connection, 1972-2011
Super 8 to 16 mm/HD video
54 min, 54 sec
Installation view, Undone, Greene Naftali, New York, 2016
Installation view, Tony Conrad. Two Degrees of Separation, Kunsthalle Vienna, 2014
Tony Conrad
WiP, 2013
Installation view, Greene Naftali, New York, 2013
Tony Conrad
WiP, 2013
Installation view, Greene Naftali, New York, 2013
WiP, 2013
Installation view, Greene Naftali, New York, 2013
Tony Conrad, Installation view, Tony Conrad: Invented Acoustical Tools 1969-2014, Inverleith House, Royal Botanic Garden, Edinburgh, 2014
Tony Conrad
Harmonic Xylophone, ca. 1997
Wooden xylophone and mallet
19 x 13 3/4 x 4 inches (48.3 x 34.9 x 10.2 cm)
Tony Conrad
Studio of the Streets, 1990-1993
Four-channel video and acrylic panel with vinyl lettering
Panel: 144 x 26 inches (365.8 x 66 cm)
Installation view, Making Worlds
53rd Venice Biennale, Venice, 2009
Yellow Movie 2/16-26/73, 1973
Emulsion: Gull white flat interior latex. Magicolor No. 3011 - 11
Base: Studio white seamless paper
120 x 107 inches
Yellow Movie 3/4/73, 1973
Emulsion: Odorless White Flat A-C-M Scrubable Nu-Plastic Velvet by Arthur C. Mangles Industries Inc.
Base: Riviera blue seamless paper
173 x 106 inches
Tony Conrad
Yellow Movie 12/14-15/72, 1972
Emulsion: Citron tinted low lustre enamel, Speedflex Latex Colorizer, Brooklyn Paint & Varnish Co.
Base: White seamless paper
90 1/2 x 107 inches
Yellow Movie 2/26/73, 1973
Emulsion: Empire Yellow Gloss Enamel by Eaglo, odorless Magicote
Base: White canvas, stretched
33 x 42 inches
Tony Conrad
Performance view, Tony Conrad: Unprojectable: Projection and Perspective
Tate Modern, London, 2008
Pickled E.K. 7302-244-0502
#1, May 2006
16mm film stock preserved in pickling jar with vinegar, vegetables and spices
6 3/4 x 4 x 4 inches
Tony Conrad
Beholden to Victory, 1980/2007 (still)
Super-8 transferred to digital medium
Installation, infinite sequence
Dimensions variable
Tony Conrad
Beholden to Victory, 1980/2007 (still)
Tony Conrad lived and worked in Buffalo, New York (d. 2016). Recent solo exhibitions include Culturgest, Lisbon (2022); MAMCO, Geneva (2021); Kölnischer Kunstverein, Cologne (2020); Institute of Contemporary Art, Philadelphia (2019); MIT List Visual Arts Center and the Carpenter Center for the Visual Arts at Harvard University, Cambridge (2018); Albright-Knox Art Gallery, Buffalo and University of Buffalo Art Gallery (2018); Greene Naftali, New York (2016, 2013); Kunsthalle Wien, Vienna (2014); and Museo d'Arte Contemporanea, Villa Croce, Genoa (2013).
His work is in the collections of the Walker Art Center, Minneapolis; Museum of Contemporary Art Chicago; Los Angeles Museum of Contemporary Art; Tate Modern, London; Museum für Moderne Kunst, Frankfurt; and the Whitney Museum of American Art, New York, among others.
Sat, April 8 | TONY CONRAD | Accordion (1981) & Palace of Error (1982/2011) | Anthology Film Archives, New York
Tony Conrad featured in Todd Haynes's The Velvet Underground (2021)
TONY CONRAD
Tony Conrad
Overwrite
Cory Arcangel, Julie Becker, Tony Conrad, Guyton\Walker, Jacqueline Humphries
WALKING POINT
Infected Foot
1966 - 2016
Lutz Bacher, Bernadette Corporation, Tony Conrad, Harun Farocki, Dan Graham, John Knight
WORKS ON PAPER
WORKS ON PAPER AND RICCI ALBENDA
MOTORE IMMOBILE
Tony Conrad: Writings
Introducing Tony Conrad
Doing The City/ Urban Community Interventions
Beyond the Dream Syndicate, Tony Conrad and the Arts after Cage
Yellow Movies