Kunsthalle Mainz presents Joachim Koester's exhibition The Way Out Is In

Untitled (Gallerie Nicolai Wallner), 1994
boarded up window
Installation view, The other side of the sky, curated by Filipa Oliveira, Turner Contemporary, Margate, UK, 2016
Installation view, The other side of the sky, curated by Filipa Oliveira, Turner Contemporary, Margate, UK, 2016
Installation view, Body Electric, Greene Naftali, New York, 2015
Variations of Incomplete Open Cubes, 2011
16mm
8:22 min
Installation view, Body Electric, Greene Naftali, New York, 2015
Installation view, Body Electric, Greene Naftali, New York, 2015
Installation view, Body Electric, Greene Naftali, New York, 2015
The Place of Dead Roads, 2013
HD video installation, color, sound
33 min. 30 sec.
The Place of Dead Roads, 2013
HD video installation, color, sound
33 min. 30 sec.
Body Electric, 2014
16mm film installation, b/w, mute
6 min. 12 sec.
Body Electric, 2014
16mm film installation, b/w, mute
6 min. 12 sec.
Body Electric, 2014 (still)
Body Electric, 2014 (still)
Body Electric, 2014 (still)
Installation view, Body Electric, Greene Naftali, New York, 2015
Some Boarded Up Houses, 2009-2014
26 part photographic series, siver gelatin print
Unframed: 18.9 x 14.96 inches (48 x 38 cm)
Some Boarded Up Houses
Chicago #2, 2009-2013
Silver gelatin print
27 x 22 5/8 inches (68.6 x 57.5 cm)
Some Boarded Up Houses
Chicago #9, 2009-2013
Silver gelatin print
27 x 22 5/8 inches (68.6 x 57.5 cm)
To navigate, in a genuine way, in the unknown necessitates an attitude of daring, but not one of recklessness (movements generated from the Magical Passes of Carlos Castaneda), 2009
16mm black and white film
3 mins 30 secs, continuous loop
Installation view, Body Electric, Greene Naftali, New York, 2015
Some Boarded Up Houses, 2009-2014 (detail)
26 part photographic series, siver gelatin print
Unframed: 18.9 x 14.96 inches (48 x 38 cm)
Nordenskiold & the Icecap, 1999-2000
slide installation
12 minutes
Nordenskiold & the Icecap, 1999-2000
slide installaton
12 minutes
Maybe one must begin with some particular places, 2012 (still)
Maybe one must begin with some particular places, 2012 (still)
Maybe one must begin with some particular places, 2012 (still)
Maybe one must begin with some particular places, 2012 (still)
Maybe one must begin with some particular places, 2012 (still)
Reptile brain or reptile body, it's your animal, 2012 (still)
Reptile brain or reptile body, it's your animal, 2012 (still)
Reptile brain or reptile body, it's your animal, 2012 (still)
Reptile brain or reptile body, it's your animal, 2012 (still)
Body Electric, 2014 (still)
From the Secret Garden of Sleep, 2008
Silver gelatin print
40 x 30 inches
From the Secret Garden of Sleep, 2008
Silver gelatin print
40 x 30 inches
Body Electric, 2014 (still)
Some Boarded Up Houses
Queens #2, 2009-2013
Silver gelatin print
27 x 22 5/8 inches (68.6 x 57.5 cm)
Some Boarded Up Houses
Boston #1, 2009-2013
Silver gelatin print
27 x 22 5/8 inches (68.6 x 57.5 cm)
Some Boarded Up Houses
Philadelphia #2, 2009-2013
Silver gelatin print
27 x 22 5/8 inches (68.6 x 57.5 cm)
Tarantism, 2007
16mm black and white film
6.31 minutes
Tarantism, 2007
16mm black and white film
6.31 minutes
Tarantism, 2007
16mm black and white film
6.31 minutes
Installation view
Installation view
Barker Ranch, 2006
Selenium toned silver gelatin print
Photo: 17 x 23 1/4 inches
My Frontier is an Endless Wall of Points (after the mescaline drawings of Henri Michaux), 2007
16mm black and white film
10:24 min, continous loop
Barker Ranch, 2006
Selenium toned silver gelatin print
Photo: 17 x 23 1/4 inches
My Frontier is an Endless Wall of Points (after the mescaline drawings of Henri Michaux), 2007
My Frontier is an Endless Wall of Points (after the mescaline drawings of Henri Michaux), 2007
Morning of the Magicians, 2005-2006
16mm film (black and white, silent)
Dimensions variable
The Abbey of Thelema #1, 2005
gelatin silver print
18 1/2 x 23 1/2 inches
Room of Nightmares #2, 2005
c-print
18 1/2 x 23 1/3 inches
The Abbey of Thelema #4, 2005
gelatin silver print
18 1/2 x 23 1/2 inches
#1 (from the series "The Kant Walks"), 2003
c-print
18 1/2 x 23 1/2 inches
#2 (from the series "The Kant Walks"), 2003
c-print
18 1/2 x 23 1/2 inches
#3 (from the series "The Kant Walks"), 2003
c-print
18 1/2 x 23 1/2 inches
#6 (from the series "The Kant Walks"), 2003
c-print
18 1/2 x 23 1/2 inches
#7 (from the series "The Kant Walks"), 2003
c-print
18 1/2 x 23 1/2 inches
Room of Nightmares #1, 2005
c-print
18 1/2 x 23 1/3 inches
Room of Nightmares #3, 2005
c-print
18 1/2 x 23 1/3 inches
Beechey Island #2, 1999
c-print
27 x 34 5/8 inches
Resolute #1, 1999
c-print
27 x 34 5/8 inches
La Nuit Americaine, 1995-1999
installation view
P.S. 1 Contemporary Art Center, New York
Day for Night, Christiana 1996, 1996
c-print
26 x 38 1/2 inches
Day for Night, Christiana (The Info-House/The Gym), 1996
c-print
26 x 38 1/2 inches
Pit Music, 1996
VHS tape still
14 minute
Pit Music, 1996
VHS tape still
14 minutes
Untitled (Gallerie Nicolai Wallner), 1994
boarded up window
Installation view, The other side of the sky, curated by Filipa Oliveira, Turner Contemporary, Margate, UK, 2016
Installation view, The other side of the sky, curated by Filipa Oliveira, Turner Contemporary, Margate, UK, 2016
Installation view, Body Electric, Greene Naftali, New York, 2015
Variations of Incomplete Open Cubes, 2011
16mm
8:22 min
Installation view, Body Electric, Greene Naftali, New York, 2015
Installation view, Body Electric, Greene Naftali, New York, 2015
Installation view, Body Electric, Greene Naftali, New York, 2015
The Place of Dead Roads, 2013
HD video installation, color, sound
33 min. 30 sec.
The Place of Dead Roads, 2013
HD video installation, color, sound
33 min. 30 sec.
Body Electric, 2014
16mm film installation, b/w, mute
6 min. 12 sec.
Body Electric, 2014
16mm film installation, b/w, mute
6 min. 12 sec.
Body Electric, 2014 (still)
Body Electric, 2014 (still)
Body Electric, 2014 (still)
Installation view, Body Electric, Greene Naftali, New York, 2015
Some Boarded Up Houses, 2009-2014
26 part photographic series, siver gelatin print
Unframed: 18.9 x 14.96 inches (48 x 38 cm)
Some Boarded Up Houses
Chicago #2, 2009-2013
Silver gelatin print
27 x 22 5/8 inches (68.6 x 57.5 cm)
Some Boarded Up Houses
Chicago #9, 2009-2013
Silver gelatin print
27 x 22 5/8 inches (68.6 x 57.5 cm)
To navigate, in a genuine way, in the unknown necessitates an attitude of daring, but not one of recklessness (movements generated from the Magical Passes of Carlos Castaneda), 2009
16mm black and white film
3 mins 30 secs, continuous loop
Installation view, Body Electric, Greene Naftali, New York, 2015
Some Boarded Up Houses, 2009-2014 (detail)
26 part photographic series, siver gelatin print
Unframed: 18.9 x 14.96 inches (48 x 38 cm)
Nordenskiold & the Icecap, 1999-2000
slide installation
12 minutes
Nordenskiold & the Icecap, 1999-2000
slide installaton
12 minutes
Maybe one must begin with some particular places, 2012 (still)
Maybe one must begin with some particular places, 2012 (still)
Maybe one must begin with some particular places, 2012 (still)
Maybe one must begin with some particular places, 2012 (still)
Maybe one must begin with some particular places, 2012 (still)
Reptile brain or reptile body, it's your animal, 2012 (still)
Reptile brain or reptile body, it's your animal, 2012 (still)
Reptile brain or reptile body, it's your animal, 2012 (still)
Reptile brain or reptile body, it's your animal, 2012 (still)
Body Electric, 2014 (still)
From the Secret Garden of Sleep, 2008
Silver gelatin print
40 x 30 inches
From the Secret Garden of Sleep, 2008
Silver gelatin print
40 x 30 inches
Body Electric, 2014 (still)
Some Boarded Up Houses
Queens #2, 2009-2013
Silver gelatin print
27 x 22 5/8 inches (68.6 x 57.5 cm)
Some Boarded Up Houses
Boston #1, 2009-2013
Silver gelatin print
27 x 22 5/8 inches (68.6 x 57.5 cm)
Some Boarded Up Houses
Philadelphia #2, 2009-2013
Silver gelatin print
27 x 22 5/8 inches (68.6 x 57.5 cm)
Tarantism, 2007
16mm black and white film
6.31 minutes
Tarantism, 2007
16mm black and white film
6.31 minutes
Tarantism, 2007
16mm black and white film
6.31 minutes
Installation view
Installation view
Barker Ranch, 2006
Selenium toned silver gelatin print
Photo: 17 x 23 1/4 inches
My Frontier is an Endless Wall of Points (after the mescaline drawings of Henri Michaux), 2007
16mm black and white film
10:24 min, continous loop
Barker Ranch, 2006
Selenium toned silver gelatin print
Photo: 17 x 23 1/4 inches
My Frontier is an Endless Wall of Points (after the mescaline drawings of Henri Michaux), 2007
My Frontier is an Endless Wall of Points (after the mescaline drawings of Henri Michaux), 2007
Morning of the Magicians, 2005-2006
16mm film (black and white, silent)
Dimensions variable
The Abbey of Thelema #1, 2005
gelatin silver print
18 1/2 x 23 1/2 inches
Room of Nightmares #2, 2005
c-print
18 1/2 x 23 1/3 inches
The Abbey of Thelema #4, 2005
gelatin silver print
18 1/2 x 23 1/2 inches
#1 (from the series "The Kant Walks"), 2003
c-print
18 1/2 x 23 1/2 inches
#2 (from the series "The Kant Walks"), 2003
c-print
18 1/2 x 23 1/2 inches
#3 (from the series "The Kant Walks"), 2003
c-print
18 1/2 x 23 1/2 inches
#6 (from the series "The Kant Walks"), 2003
c-print
18 1/2 x 23 1/2 inches
#7 (from the series "The Kant Walks"), 2003
c-print
18 1/2 x 23 1/2 inches
Room of Nightmares #1, 2005
c-print
18 1/2 x 23 1/3 inches
Room of Nightmares #3, 2005
c-print
18 1/2 x 23 1/3 inches
Beechey Island #2, 1999
c-print
27 x 34 5/8 inches
Resolute #1, 1999
c-print
27 x 34 5/8 inches
La Nuit Americaine, 1995-1999
installation view
P.S. 1 Contemporary Art Center, New York
Day for Night, Christiana 1996, 1996
c-print
26 x 38 1/2 inches
Day for Night, Christiana (The Info-House/The Gym), 1996
c-print
26 x 38 1/2 inches
Pit Music, 1996
VHS tape still
14 minute
Pit Music, 1996
VHS tape still
14 minutes
Untitled (Gallerie Nicolai Wallner), 1994
boarded up window
Joachim Koester lives and works in Copenhagen and Brooklyn. Recent solo exhibitions include Galleri Nicolai Wallner, Copenhagen (2020); Bergen Kunsthall, Bergen (2018); Turner Contemporary, Margate (2016); Greene Naftali, New York (2015); Camera Austria, Graz (2014); Centre d’art contemporain, Geneva (2014); Palais de Tokyo, Paris (2013); SMAK, Ghent (2012); MIT List Visual Arts Center, Cambridge (2012); Institut d'Art Contemporain, Villeurbanne/Rhone- Alps (2011); Kestnergesellschaft, Hanover (2010); and Museo Tamayo Arte Contemporaneo, Mexico City (2010).
He was also featured in the 29th São Paulo Biennale, São Paulo (2010); the 52nd Biennale di Venezia, Venice (2007); and Documenta X, Kassel (1997). In 2013, he was the winner of the Camera Austria Award for Contemporary Photography, Graz. His work is in the collections of Centre Georges Pompidou, Paris; The Museum of Modern Art, New York; Metropolitan Museum of Art, New York; Moderna Museet, Stockholm; and Statens Museum for Kunst, Copenhagen.
Kunsthalle Mainz presents Joachim Koester's exhibition The Way Out Is In
PICTURES
JOACHIM KOESTER