Rachel Harrison

Born 1966 in New York, NY.
Lives & works in New York.


Education

1989 B.A. in Fine Art, Wesleyan University, Middletown, CT


Solo Exhibitions

2010 Regen Projects, Los Angeles

2009 Consider the Lobster, Center for Curatorial Studies, Hessel Museum, Bard College (catalogue)
Portikus, Frankfurt am Main

2008 Sunny Side Up, Meyer Kainer Gallery, Vienna
Lay of the Land, Le Consortium, Dijon

2007 Voyage of the Beagle, migros museum für gegenwartskunst, Zurich; Kunsthalle Nürnberg, Nürnberg (catalogue)
If I Did It, Greene Naftali Gallery, New York

2006 Checking the Tires, Not To Mention the Marble Nude, Galerie Christian Nagel, Cologne
sometimes it snows in april, (Presentation with Michael Krebber), The McAllister Institute, New York
When Hangover Becomes Form, in collaboration with Scot Lyall, The Contemporary Art Gallery, Vancouver; LACE, Los Angeles

2005 Car Stereo Parkway, Transmission Gallery, Glasgow

2004 New Work, San Francisco Museum of Modern Art, San Francisco
Posh Floored as Ali G Tackles Becks, Camden Art Centre, London
Excuse Me?, Arndt & Partner, Berlin
Latka/Latkas, Greene Naftali Gallery, New York

2003 Westward Ho, Bergen Kunsthalle, Gallery No. 5, Bergen

2002 Currents 30: Rachel Harrison, Milwaukee Art Museum, Milwaukee (catalogue)
Seven Sculptures, Arndt & Partner, Berlin
Art 33 Basel – Art Statements, Basel Art Fair, Basel
Brides and Bases, Oakville Gallery, Toronto (catalogue)

2001 Perth Amboy, Greene Naftali Gallery, New York

1999 Patent Pending: Beveled Rasp Sac, Greene Naftali Gallery, New York

1997 The Look of Dress-Separates, Greene Naftali Gallery, New York

1996 Should home windows or shutters be required to withstand a direct hit from an eight-foot-long two-by-four shot from a cannon at 34 miles an hour, without creating a hole big enough to let through a three-inch sphere?, Arena Gallery, Brooklyn


Group Exhibitions

2010 The Original Copy: Photography of Sculpture, 1839 to Today, MoMA, New York; Kunsthaus Zürich, Switzerland
Abstract Resistance, Walker Art Center, Minneapolis

2009 Collecting History: Highlighting Recent Acquisitions, Museum of Contemporary Art, Los Angeles
Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection, MoMA, New York
Making Worlds, 53rd Venice Biennale, directed by Daniel Birnbaum
Lichtzwang, Dvir Gallery, Tel Aviv
N’importe Quoi, Musée d’art contemporain de Lyon, Lyon
Altermodern: Tate Triennial 2009, curated by Nicholas Bourriaud, Tate Britain, London (catalogue)
phot(o)bjects, curated by Bob Nickas, Presentation House Gallery, Vancouver

2008 Works on Paper by Gallery Artists and Ricci Albenda, Greene Naftali, New York
Front Room: Dieter Roth and Rachel Harrison, Balitmore Museum of Art, Baltimore
Plug In #38, Vanabbemuseum, Eindhoven, the Netherlands
You Can Go Your Own Way, curated by Claudia Altman Siegel, Renwick Gallery, New York
Standard Size, curated by Joao Ribas, Andrew Kreps Gallery, New York
Paul Thek in the Context of Today’s Contemporary Art’, ZKM, Karlsrhue
Whitney Biennial, Whitney Museum of American Art, New York
The Alliance, doART, Seoul, Korea, and Beijing, China

2007 Perspectives Series, Contemporary Arts Museum Houston, TX
Pop Art Is, Gagosian Gallery, London
Insubstantial Pageant Faded, Western Bridge, Seattle
XXL- Size Does Matter, Sommer Contemporary Art, Tel Aviv
Paul Thek in the Context of Today’s Contemporary Art, ZKM, Karlsruhe; Sammlung Falckenberg, Hamburg
Fit to Print, Gagosian Gallery, New York
Unmonumental: Falling To Pieces in the 21st Century, New Museum, New
York (catalogue)
The Hamsterwheel, conceived by Franz West Studio, Arsenale di Venezia, Venice; Festival de Printemps de Septembre, Toulouse; Centre d’Art Santa Mónica, Barcelona; Konsthall Malmo, Sweden
Still Life and Kicking, curated by Dodie Kazanjian, Paula Cooper Gallery,
New York
For the People of Paris, Sutton Lane Gallery, Paris (catalogue)

2006 The Uncertainty of Objects and Ideas: Recent Sculpture, curated by Anne Ellegood, Hirshhorn Museum and Sculpture Garden, Washington, DC (catalogue)
Werner Herzog, Blum and Poe, Los Angeles
Shiny, curated by Helen Molesworth, The Wexner Center for the Arts, Columbus
The Swan Is Very Peaceful, Richard Telles Fine Art, Los Angeles
Pose and Sculpture, curated by Daniel Baumann, Casey Kaplan Gallery, New York (catalogue)
Of Mice and Men, The 4th Berlin Biennale, curated by Maurizio Cattelan, Massimiliano Gioni, Ali Subotnick, Kunst-Werke Institute for Contemporary Art, Berlin (catalogue)
Dark, curated by Jan Grosfeld and Rein Wolfs, Museum Boijmans Van Beuningen, Rotterdam (catalogue)
Motore Immobile, curated by Carol Greene and Jay Sanders, Greene Naftali Gallery, New York
Ridykeulous, Participant Inc, New York
Survivor, curated by David Rimanelli, Bortolami Dayan, New York
Daisychain, curated by Bruce Haines, MOT Gallery, London

2005 Make It Now: New Sculpture in New York, curated by Mary Ceruti, Anthony Huberman and Franklin Sirmans, Sculpture Center, Long Island City (catalogue)
Carnegie International, curated by Laura Hoptman, Carnegie Museum of Art, Pittsburgh (catalogue)
When Humor Becomes Painful, curated by Heike Munder and Felicity Lunn, Migros Museum für Gegenwartskunst, Zurich (catalogue)
Funfmalskulptur, curated by Carina Plath, Westfalischer Kunstverein, Münster
Ordering the Ordinary, curated by David Thorp, Timothy Taylor Gallery, London
Sculpture New Spirit, Galerie Nathalie Obadia, Paris
The Jeweleigha Set, Greene Naftali Gallery, New York
Drunk Vs. Stoned 2, Gavin Brown's Enterprise, New York

2004 Building the Collection: New and Future Acquisitions, Art Gallery of Ontario, Ontario
Last One On is a Soft Jimmy, curated by Kelley Walker, Paula Cooper Gallery, New York
Hysterical, curated by Michele Maccarone, Galerie Dennis Kimmerich, Düsseldorf
Slouching Towards Bethlehem, curated by Jeffrey Uslip, The Project, New York
Patterson Beckwith: Home, American Fine Arts, Co., New York
American Idyll, Greene Naftali Gallery, New York
Speaking with Hands: Photographs from The Buhl Collection, Guggenheim Museum, New York (catalogue)
Reordering Reality, Collecting Contemporary Art, curated by Annegreth T. Nill, Columbus Museum of Art, Columbus
Collage, Bloomberg SPACE, London
Open House: Working in Brooklyn, Brooklyn Museum of Art, Brooklyn (catalogue)
Drunk vs. Stoned, curated by Corinna Durland, General Store @ Gavin Brown’s Passerby, New York

2003 The Structure of Survival, curated by Carlos Basualdo, Arsenale di Venezia, 50th Venice Biennale, Venice (catalogue)
Rachel Harrison, Hirsch Perlman, Dieter Roth, Jack Smith and Rebecca Warren, curated by Jeffrey Peabody, Matthew Marks Gallery, New York
The Paper Sculpture Show, organized by Cabinet magazine, iCI, and SculptureCenter; SculptureCenter, Long Island City, New York, and 20 other locations, 2003-2007
The Alumni Show, curated Nina Felshin, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown
Brighton Photo Biennial, curated by Jeremy Millar, University of Brighton, Brighton,
K48 Teenage Rebel – The Bedroom Show, curated by Scott Hug, John Connelly Presents, New York

2002 Whitney Biennial, curated by Lawrence Rinder, Whitney Museum of American Art, New York (catalogue)
Stories, curated by Stephanie Rosenthal, Haus der Kunst, Munich
Building Structures, organized by Klaus Biesenbach, P.S. 1 Contemporary Art Center, Long Island City
Pictures, Greene Naftali Gallery, New York
Youngstars, organized by Horst Kohn, Krinzinger Projekte, Wien

2001 Off the Wall, curated by Greg Sandoval and Sam Gordon, Gallery 400 University of Illinois, Chicago
Spiritual America, Audiello Fine Art, Inc, New York
Group Show (Spring 2001), curated by Michele Maccarone & Chivas Clem, The Fifth International, New York

2000 Full Serve: Celebrating Ten Years of Shows, curated by Kenny Schachter, presented by Kenny Schachter/Rove, New York
The Armchair Project, curated by DeClan Clarke & Paul McDevitt, Cinch, London
Superpredators, curated by Jose Freire, C.R.P., Brooklyn
Dusk, curated by David Hunt, I-20 Gallery, New York
New York Projects, curated by Luke Dowd, Delfina Project Space, London
Walker Evans & Company, curated by Peter Galassi, Museum of Modern Art, New York; J. Paul Getty Museum, Los Angeles (catalogue)
Rapture, curated by Janet Phelps, 529 W. 20th 8th Fl., New York
Trailer, Greene Naftali Gallery, New York
Photography about Photography, curated by Liz Deschenes, Andrew Kreps Gallery, New York
Greater New York: New Art in New York Now, curated by Klaus Biesenbach, Carolyn Christov-Bakargiev and Alana Heiss, P.S. 1 Contemporary Art Center, Long Island City (catalogue)
Photasm, curated by Peter Dudek, Arts Strium Gallery, Union College, Schenectady; Hunter College, New York

1999 DOPE. An XXX-Mas Show, American Fine Arts, Co., New York
I’m Not Here: Constructing Identity at the Turn of the Century, curated by Jonathan Van Dyke and Sean Mellyn, Susquehanna Art Museum, Harrisburg
Sleeping Waters, Galerie Chantal Crousel, Paris
Still Life, curated by Helen Molesworth, State University of New York College at Old Westbury, Old Westbury
GIRLSCHOOL, curated by Catherine Morris and Maureen Mahoney, Brenau University Galleries, Gainesville
What Big Is, Geoffrey Young Gallery, Barrington
New York Neither/Nor, curated by Bill Arning, Grand Arts, Kansas City
monochrome, Patrick Callery Gallery, New York
Free Coke, Greene Naftali Gallery, New York
Answer yes, no, or don’t know; Part II: Layers, curated by Ricci Albenda Andrew Kreps Gallery, New York
Hypervision, curated by Caitlin Masley, Elizabeth Cherry Contemporary Art, Tuscon

1998 New Photography 14, curated by Darsie Alexander, Museum of Modern Art, New York
Summer Group Show, curated by Dee Mitchell, Turner & Runyon, Dallas
TXInstalltions/Projects, P.S. 1 Contemporary Art Center, Long Island City
Super Freaks: Post Pop & The New Generation; Part I: Trash, Greene Naftali Gallery, New York
Lo-Fi Baroque, curated by Michael Sarff and Carol Stakenas, Thread Waxing Space, New York
Science, Feature Inc., New York

1997 Funny Pictures, Ten in One Gallery, Chicago
The New God, curated by John Connelly, Andrea Rosen Gallery, New York
24 Seven, curated by Alexander Berscheid, Galerie Klaus Peter Goebel, Stuttgart
Paper Trail, curated by Gregory Volk and Sabine Russ, Pierogi 2000, Brooklyn
Current Undercurrent: Working in Brooklyn, Brooklyn Museum of Art, Brooklyn
Summer of Love, Fotouhi Cramer Gallery, New York Prosthetic Garden, Daniel Silverstein Gallery, New York
The Experimenters, curated by Kenny Schachter, Lombard-Freid Fine Arts, New York
Normotic, curated by David Humphrey, 1 Great Jones, New York
Anne Chu, Rachel Harrison, Donald Moffett, Jasmin Sian, Marc Foxx, Los Angeles

1996 Rachel Harrison and Michael Lazarus, Feature Inc., New York
Taking Stock, curated by Kenny Schachter, The Exchange, 25 Broad Street, New York
Space, Mind, Place, curated by John Connelly and Michelle Reyes, Andrea Rosen Gallery, New York,
DISSOCIATIONISM, Four Walls, Brooklyn
Shit, Baron Boisante Gallery, New York
Summer Exhibition, Greene Naftali Gallery, New York
Sex, Drugs And Explosives, curated by Kenny Schachter, New London Art Forms, London
Sculpture Incorporating Photography, Feature Inc., New York
Post Hoc, curated by Alison Greene, Stark Gallery, New York
Facing The Millenium: The Song Remains The Same, curated by Kenny Schachter, Arlington Museum of Art, Arlington
Flamingo East, curated by Kenny Schachter, Flamingo East 219 2nd Avenue, New York

1995 Summer Exhibition, Paolo Baldacci Gallery, New York
Oy!, curated by Kenny Schachter, 121 Greene Street, New York
Either/Or, curated by Kenny Schachter, Flamingo East, 219 2nd Ave., New York
High Anxiety, curated by Kenny Schachter, 66 Crosby Street, New York
Looky Loo, curated by Kenny Schachter, Sculpture Center, New York
Dark Room, Stark Gallery, New York
Smells Like Vinyl, Roger Merians Gallery, New York

1994 Tight, Tannery Gallery, London; Liverpool
UnSuccess Story, curated by Kenny Schachter, 479 Broome Street, New York
Women at Work, curated by Jill Brienza and Gretel Capriles, The Roger Smith Gallery, New York
I Could Do That, curated by Kenny Schachter, 109 Spring Street, New York
Dirty, curated by Carol Greene, John Good Gallery, New York
Group Show, Galerie Elizabeth Valleix, Paris
Pre-Existing Condition, The Puffin Room, New York

1993 Poverty Pop: The Aesthetics of Necessity, curated by Jeanette Ingberman and Papo Colo, Exit Art, New York
Shooting Blanks, curated by Kenny Schachter, 81 Greene Street, New York
For Sale, curated by Kenny Schachter, Flamingo East, 219 2nd Ave., New York
Resurrections, The William Benton Museum of Art, University of Connecticut at Storrs, Storrs
1920: The Subtlety of Subversion, The Continuity of Intervention, curated by Jeanette Ingberman and Papo Colo Exit Art, New York
Four Walls Benefit, David Zwirner Gallery, New York
I Was Born Like This, curated by Kenny Schachter, 238 Mulberry Street, New York
High, curated by Kenny Schachter, Flamingo East, 219 2nd Ave., New York

1992 Simply Made in America, curated by Barry Rosenberg, Aldrich Museum of Contemporary Art, Ridgefield; Contemporary Arts Center, Cincinnati; Butler Institute of American Art, Youngston; Palm Beach Community College of Art, Palm Beach; Delaware Art Museum, Wilmington
Morality Café, curated by Kenny Schachter, Postmasters Gallery, New York
The Lesbian Museum: Ten Thousand Years of Penius Envy, Franklin Furnace, New York
7 Rooms/7 Shows, curated by Kenny Schachter, P.S. 1 Contemporary Art Center, Long Island City

1991 Unlearning, curated by Kenny Schachter, 142 Greene Street, New York Ego Show, Minor Injury, Brooklyn
Open Bar, curated by Kenny Schachter, Flamingo East, 219 2nd Ave., New York
The Neurotic Art Show, Four Walls Gallery, Brooklyn

1990 Collections, Brand Name Damages, 201 Bedford Ave., Brooklyn
Habitat, AMMO Artist’s Exhibition Space, Brooklyn
The Rights of Spring, curated by Rachel Stevens, Epoche Gallery, Brooklyn


Bibliography

2009 Baker, R.C., “Girl With Curious Art: An adventure up the Hudson to see Rachel Harrison—plus, Francis Bacon’s strange scraps,” The Village Voice, July 8-14, p.31.
Cotter, Holland, “The Museum as Stage Set, Filled With Glamorous Mess,” The New York Times, July 2.
Vitamin 3-D: New Perspectives in Sculpture and Installation, Phaidon Press Inc.: New York, pp.142-145.
Wiley, Chris, “Rachel Harrison: The Office, A Special Project by Maurizio Cattelan, Massimiliano Gioni, Ali Subotnik,” ed. Paola Nicolin, Abitare, No. 489, February, pp.173-175.
Schwabsky, Barry, “Hubbub and Stillness: The 2009 Venice Biennale,” The Nation, July 1, 2009.
Mead, Rebecca, “The Art Doctor,” The New Yorker, May 11, pp. 58-65.
Schmitz, Edgar, “Review: Tate Triennial 2009,” Artforum, May, pp.228- 229.
de Bellis, Vincenzo, “Switching the Addends,” Mousse Magazine, Issue 17, February/March, pp.90-93.

2008 Stocchi, Francesco, “Critic’s Pick, Rachel Harrison, Galerie Meyer Kainer,” Artforum.com, November-January.
Stech, Fabian. “Rachel Harrison’s Waste Land: ‘Lay of the Land,’ Consortium, Dijon, 5.8 – 21.9.2008,” Kunstforum International, Bd.193, Sept-Oct, pp.380-382.
Wetterwald, Elisabeth. “Rachel Harrison,” Sommaire 02 no.47, Autumn, pp.25-28.
Harrison, Rachel and David Joselit, “A Conversation with Peter Fend,” October 125, Summer, pp. 117-136.
Blake, Nayland, “Interview with Rachel Harrison,” Bomb Magazine, No.105, Fall, pp.44-53.
Hawkins, Richard, “Enigmarelle—The Statuesque;” Ina Blom, “All Dressed Up;” George Baker, “Mind the Gap;” Allison M. Gingeras, “(Un)Natural Selection;” all in Parkett, no. 82, 2008, pp. 118-163.
Huldisch, Henriette and Shamim M. Momin, Whitney Biennial 2008, (catalogue), Whitney Museum of American Art, New York
Volk, Gregory, “Spring in Dystopia”, Art in America, May, p. 158-163.
Harntey, Eleanor, “Make it New”, Art in America, April, p. 82-5
Sasse, Jörg, “Texte Zur Kunst- Ediition Heft No. 69”, Texte zur Kunst, March, p. 276-8
Halle, Howard, “Whitney Biennial 2008”, Time Out New York, March 13- 19, p. 78
Schjeldahl, Peter, “Lessness”, The New Yorker, March 17, p. 86
Cotter, Holland, “Art’s Economic Indicator”, The New York Times, March 7

2007 Munder, Heike, “Voyage of the Beagle or the Technique of Camouflage;” Ellen Seifermann, “Many Layered Objects. Notes on Rachel Harrison’s Strategies;” John Kelsey, “Sculpture in an Abandoned Field;” If I Did It, (catalogue), Migros Museum and JRP Ringier, Zürich
Flood, Richard; Hoptman, Laura; and Gioni, Massimiliano, Unmonumental: The Object in the 21st Century, (catalogue), Phaidon Press, in association with the New Museum, New York
Wehr, Anne, “Unmonumental: The Object in the 21st Century”, Time Out New York, December 13-26, p. 113
Gopnik, Blake, “The Perfect Show for a World Up to Its Eyes in Trash”, The Washington Post, December 9
Schjeldahl, Peter, “Critic’s Notebook: The Thing Itself”, The New Yorker, December 24-31
Viveros-Fauné, Christian, “Great Building, Weak Show”, The Village Voice, Dec 5-11
Macadam, Barbara, “Object Overruled”, ARTnews, December, p. 125-126
Goldstein, Anne, “Best of 2007”, Artforum, December, p. 318
Bankowsky, Jack, “Best of 2007”, Artforum, December, p. 334
Smith, Roberta, “In Galleries, A Nervy Opening Volley”, The New York Times, November 30
Allen, Jennifer, “Moving Targets”, Frieze, Issue 110, October, p. 232-237.
McElheny, Josiah, “Readymade Resistance,” Artforum, October, p. 327.
Montrueli, Gregory, “Rachel Harrison”, Flash Art, July/September, p. 132.
Schwendener, Martha, “Seen on the Street: Photographers’ ‘Everyday Epiphanies,’” New York Times, June 22, p. E30
Holmes, Pernilla, “In Your Face,” ARTnews, June, p. 106-111
Boucher, Brian, “Let Us Now Praise Famous Men,” Art in America,
June/July, p. 186-189
Wüst, Karl, “Aus Ramsch inszenierte Kunst befragt die Kunst”, Mittelland Zeitung Gesamtausgabe, May 10, p. 38
“Rachel Harrison – Voyage of the Beagle”, Active Live, no. 1, May
Morgenthaler, Daniel, “Rachel Harrison”, Tages- Anzeiger, May 10, p. 50
Krebs, Edith, “Rachel Harrison im Zurcher Migros-Museum fur Gegenwartskunst”, Neue Zurcher Zeitung, May 3, p. 57
Wust, Karl, “Harrisons etwas andere Stars”, Werdenberger & Obertoggenburger, April 28
Baker, George, “The Other Side of the Wall,” October, issue 120, Spring, p. 106-137
“Rachel Harrison,” Flash Art, May–June, p. 96
Hainley, Bruce, “Rachel Harrison,” Artforum, May, p. 196
Burton, Johanna, “Rachel Harrison,” Artforum, May, p. 369
“Rachel Harrison,” New Yorker, March 19, p. 40
Saltz, Jerry, “No Man’s Land,” Village Voice, March 15
Saltz, Jerry, “Non-Specific Objects”, Modern Painters, March, p. 32-34
Smith, Roberta, “Rachel Harrison, If I Did It,” New York Times, February 23, p. E35
Kuo, Michelle, “The Uncertainty of Objects and Ideas: Recent Sculpture,” Artforum, February, p. 289

2006 Baum, Kelly, “Rachel Harrison”, Blanton Museum of Art: American Art Since 1900, (catalogue), Blanton Museum of Art, p. 118-119
Ellegood, Ann, The Uncertainty of Objects, (catalogue), Hirshhorn
Museum and Sculpture Garden, p. 66-75
Sundell, Margaret, Vitamin Ph: New Perspectives in Photography, Phaidon Press, p. 122-123
Porter, Jenelle, “Ten Contemporary Artists,” The Believer,
December/January, p. 28-37
Mahovsky, Trevor, “Rachel Harrison and Scott Lyall: Contemporary Art Gallery,” Artforum, September, p. 386
Miles, Christopher, “Scott Lyall and Rachel Harrison remain true to themselves- but also accessorize each other- in their first collaboration at LACE,” Los Angeles Times, August 14
Mendelsohn, Adam E., “Pose and Sculpture”, Time Out New York, July 27– August 2, p. 71
Föll, Heike, Helmut Draxter, Clemens Krümmel, and André Rottmann, “Der Terror der Nettigkeit,” Texte zur Kunst, issue 16, June, p. 232
Bonham-Carter, Charlotte, “Stuck on You: It’s hard to tell the princes from the frogs in a collaborative show,” Art Review, June/July, p.25
Burton, Johanna, “Just Past: Rachel Harrison’s Lagerstätten,” Parkett, no. 76, p. 150-159
Lorch, Catrin, “Anfassen ausdruecklich erlaubt: Ein Rundgang durch “, Metropolis, #4, 2006
Kolner Galerien,” Frankfurter Allgemeine, March 31
Cotter, Holland, “Motore Immobile,” The New York Times, March 31

2005 Munder, Heike, When Humor Becomes Painful (catalogue), Migros Museum and JRP Ringier
Sholis, Brian, "Two Into One," Afterall 11, p. 44-52
Wood, Catherine, "The Stuff: Rachel Harrison's Sculpture," Afterall 11, p. 36-43
Baumann, Daniel, “Rachel Harrison, Skulptur, Sculpture,” Spike, Winter, p. 50-57
Baker, George, “Photography’s Expanded Field,” October, issue 114, Fall, p. 120-140
Peter, Mick, “Rachel Harrison,” Frieze, September, p. 139
Mulholland, Neil, "Glasgow International,"Flash Art, July – September, p. 51
Lorch, Catrin, "Auf die Platze, Fetisch, los!" Frankfurter Allgemeine Zeitung, Jul 19
Smith, Roberta, "The Jeweleigha Set," The New York Times, July 15
Scott, Andrea, "The new new things," Time Out New York, June 2-8, p. 73
Smith, Roberta, "The Many Shades of Now, Explored in 3 Dimensions," The New York Times, May 27, p. E37
Beshty, Walead, "Rachel Harrison," ArtReview, March, p. 93
Princenthal, Nancy, Review, Art in America, January, p. 116
Kerr, Merrily, “The 54th Carnegie International,” Flash Art, January, p. 51
Siegel, Katy, “2004 Carnegie International,” Artforum, January, p. 175


2004 Bankowsky, Jack, "Best of 2004," Artforum, December, p. 162-163
Hainley, Bruce, “The Consensus Thief,” The New York Times Style Magazine, Fall, p. 276-277
Raskin, Lisi, “Review,” C Magazine, Fall, p. 43
Johnson, Ken, “Pittsburgh Rounds Up A Globe Full of Work Made in Novel Ways,” The New York Times, November 4
Kelsey, John, “Lakta/Latkas,” Artforum, November, p. 225
Kerr, Merrily, “Rachel Harrison,” Flash Art, July-September, p. 63
Halle, Howard, “Slouching Towards Bethlehem,” Time Out New York, August 19-26
Artist Project, Texte Zur Kunst, issue 14, June, p. 129-134
Smith, Roberta, “Rachel Harrison: Latka/Latkas”, The New York Times, June 11, E38
Lafuente, Pablo, “Stand and Deliver”, ArtReview, June, p. 22
Harrison, Rachel, “Bildstrecke: Dark Bay or Brown Philly,” Texte Zur Kunst, issue 14, June, p. 129-134
“Rachel Harrison,” The New Yorker, May 31
Harris, Jane, “Rachel Harrison”, Village Voice, May 19-25
Saltz, Jerry, “Blotto, Meet Buzzed,” Village Voice, May 19-25
Burton, Johanna, “The ‘Urmaterial’ Urge”, Parkett, issue 70, p. 3-8
Burnett, Craig, “Camden Arts Centre, London”, Frieze, April, p. 87
Wilkinson, Dan, “Camden Arts Centre Reopens”, Flash Art, March-April
Hunt, Ian, “Christopher Wool/Rachel Harrison/Cerith Wyn Evans”, Art Monthly, March, p. 31
Searle, Adrian, “Northern Lights”, The Guardian, February 5

2003 James, Gareth and Harrison, Rachel, “Studies in Frustration”, Currents 30: Rachel Harrison, (catalogue), Milwaukee Art Museum, p. 4-11
Basilico, Stefano, “Rachel Harrison, Trick and Treat”, Currents 30: Rachel Harrison, (catalogue), Milwaukee Art Museum, p. 14-22
Basualdo, Carlos “The Structure of Survival”, Dreams and Conflicts: The Dictatorship of The Viewer, 50th International Art Exhibition, (catalogue), La Biennale di Venezia, Venezia, Italy
Davidson, Robert A., “Introduction: Spaces of Immigration ‘Prevention’: Interdiction and the Nonplace “, diacritics, vol 33, p. 3-18
“Best New Art Star”, Time Out New York, Dec. 26-Jan.2, p. 17
Rothkopf, Scott, “In the Bag”, Artforum, September, p. 175–177, 240
“Rachel Harrison”, Flash Art, July/September, p. 103
Bianchi, Paolo, and Thomas Wulffen, “Biennale Venedig: The Structure of Survival”, Kunstforum International, August-October
Burton, Johanna, “Reviews: Rachel Harrison, Hirsch Perlman, Dieter Roth, Jack Smith, Rebecca Warren”, Time Out New York, August 7-14, p. 66
Smith, Roberta, “Matthew Marks Gallery”, New York Times, July 18, p. E31

2002 Rinder, Lawrence, Whitney Biennial 2002, (exhibition catalogue), Whitney Museum of American Art, p. 100-101
Molesworth, Helen, “Rachel Harrison”, Documents 21, Fall/Winter, p. 49 - 53
Hujer, Elaine, “Wedding Scene as Artworks”, The Hamilton Spectator, November 2
Anton, Saul, “Shelf Life”, Cover article Artforum, November, p. 162–164, 202, 210
Hainley Bruce, “Blind Alleys”, Cover article Artforum, November, p. 162- 169, 210
“Round Table”, October, issue 100, Spring, p. 200-228
Bell, Kirsty, “Reviews,” Frieze, June/July/August, p. 123
Nickas, Bob, “Mild About Larry: Multiple Voice”, Artforum, May, p. 162- 164
Hainley, Bruce, “Mild About Larry: Trust Buster”, Artforum, May, p. 165 – 166, 196
Baker, George, “Mild About Larry: Film Rebuff”, Aftforum, May, p. 167 - 168
“Masstabwechsel,” Tip Magazin, no.6, March
Schjeldahl, Peter, “Do It Yourself”, The New Yorker, March, p. 98-99

2001 Schwabsky, Barry, “Perth Amboy”, Artfourm, Summer, p. 184
Hunt, David, “Perth Amboy”, Artext, June-July, p. 79-80
Smith, Roberta, “Perth Amboy”, The New York Times, April 13
Basilico, Stefano, “Perth Amboy” Time Out New York, April 19- 26, p. 60
Levin, Kim, “Voice Choice”, Village Voice, April 17
Richard, Frances, “New York: Critics Picks”, Artforum.com, April

2000 Johnson, Ken, “Photasm”, The New York Times, November 3
Moffatt, Laura, “New York Projects”, Art Monthly, September
Moody, Tom, “Secondary Sculptures”, Sculpture, June, p. 40-45
Arning, Bill, “The Harrison Effect”, TRANS>, No. 7, p. 160-179
Guelicher, Nina, “Trash Poetic in the Garden”, Blitz Review, March

1999 Harrison, Helen, “Stepping Beyond the Traditional in Still”, New York Times, October 10
Humphrey, David, “New York e-Mail”, Art Issues, September/October, p. 42-43
Schmerler, Sarah, “Garbage Fan”, ARTnews, September, p. 86
Hegarty, Laurence, Review “Monochrome”, New Art Examiner, July/August
Halle, Howard, Review, Time Out New York, June 17-24, p. 58
Johnson, Ken, Review, The New York Times, June 11
Bell, J. Bower, Review, Review, June 1

1998 Arning, Bill, Review, “Camera Shy”, Time Out New York, Nov 19-26, No. 165
Dikeou, Devon, Review, “Paper Trail: Pierogi 2000”, zingmagazine, Fall Glueck, Grace, Review, “New Photography 14”, The New York Times,
October 30
Scott, Whitney, “F-stop wonderland”, The New York Post, October 24
Levin, Kim, Review, Village Voice, June 15
Hanks, Victoria, Review New York Arts Magazine, June, vol 4, no 6
Greene, David A., “Rec Room”, The Village Voice, February 3
“98 People to Watch in ‘98”, Time Out New York, Jan. 29 – February 5

1997 Mitchell, Charles Dee, Review, Art in America, December, p. 93-94
Smith, Roberta, “Current Undercurrent: Working in Brooklyn”, The New York Times, October 10
Dikeou, Devon, “The Look of Dress Separates,” Zingmagazine, Summer, p. 244-7
Fineman, Mia, “Rachel Harrison at Greene Naftali”, Art Net, On-Line Magazine, May 1997
Arning, Bill, “Rachel Harrison; The Look of Dress Separates”, Time Out New York, April 10-17
Cotter, Holland, “The Experimenters”, The New York Times, January 10

1996 Reid, Calvin, “Sex, Drugs and Explosives”, catalogue essay
Mitchell, Charles Dee, “Eastern Seeboard”, The Dallas Morning News,
November 28
Dikeou, Devon, Review, zingmagazine, Fall
Reid, Calvin, “Rachel Harrison at Arena”, Art in America, September, p. 114
Saltz, Jerry, “Summer Group Show/ Greene Naftali”, Time Out New York, July 24 - July 30, p. 34
Smith, Roberta, “Space, Mind, Place”, The New York Times, July 19
Servetar, Stuart, “Space, Mind, Place”, New York Press, July 17
Arning, Bill, “Space, Mind, Place”, Time Out New York, July 17
Schjeldahl, Peter, “Hudson’s Way”, The Village Voice, July 2
Barrett, David, “Sex, Drugs And Explosives”, Art Monthly Magazine (London), May, p. 29-30
Arning, Bill, “Rachel Harrison; The Look of Dress Seperates”, Time Out New York, April 10-17
Schmerler, Sarah, Review, Time Out New York, March 27 - April 3
Smith Roberta, “Rachel Harrison - Arena”, The New York Times, March 15

1995 Borum, Jennifer, “Looky Loo, High Anxiety”, ArtForum, December, p. 91-92
Schjeldahl, Peter, “Gallery Legs”, The Village Voice, May 30

1994 Craddock, Sarah, “Gallery Tight”, The London Times, July 6
Smith, Roberta, “Alternative Spaces”, The New York Times, April 22

1993 Smith, Roberta, “Examining Culture Through its Castoffs”, The New York Times, November 28
Smith, Roberta, “Seven Rooms/Seven Shows”, The New York Times,
January 8

Public Collections

Art Gallery at Ontario, Toronto
Astrup Fearnley Museum, Oslo, Norway
Baltimore Museum of Art
Blanton Museum of Art, Austin
Carnegie Museum of Art, Pittsburgh
Columbus Museum of Art, Columbus
The Fogg Art Museum, Harvard University
The Hammer Museum, Los Angeles
Hessel Museum of Art, Annandale-on-Hudson
Hirshhorn Museum & Sculpture Garden, Washington D.C.
Metropolitan Museum of Art, New York
migros museum für gegenwartskunst, Zurich
Musee des Beaux-Arts de Montreal, Montreal
Museum Boijmans Van Beuningen, Rotterdam
MOCA, Los Angeles
Museum Ludwig, Cologne
Museum of Modern Art, New York
Philadelphia Museum of Art
Seattle Museum of Art
SFMOMA, San Francisco, CA
Solomon R. Guggenheim Museum, New York
Stedelijk Museum, Amsterdam
Van Abbemuseum, Eindhoven, The Netherlands
Walker Art Center, Minneapolis
Whitney Museum of American Art, New