Rachel Harrison

Born 1966 in New York, New York
Lives and works in Brooklyn, New York

Education

1989 B.A., Wesleyan University, Middletown, Connecticut

Solo Exhibitions

2012
The Help, Greene Naftali Gallery, New York, May 4 – June 16

2011
Rachel Harrison / Scott Lyall: Double Yolk, Galerie Christian Nagel, Antwerp, March 20 –
May 1

2010
Asdfjkl;, Regen Projects, Los Angeles, May 27–July 10
Conquest of the Useless, curated by Iwona Blazwick, Whitechapel Gallery, London, April
30 – June 20 (catalogue)

2009
HAYCATION, curated by Daniel Birnbaum and Melanie Ohnemus, Portikus,
Frankfurt am Main, November 28–January 17, 2010 (catalogue)
Consider the Lobster, curated by Tom Eccles, Center for Curatorial Studies, Hessel
Museum, Bard College, Annandale-on-Hudson, June 27–December 20
(catalogue)

2008
Lay of the Land, curated by Frank Gautherot, Le Consortium, Dijon, July 6–September 21
Sunny Side Up, Meyer Kainer Gallery, Vienna, November 19–January 9, 2009

2007
If I Did It, Greene Naftali Gallery, New York, February 23–March 31
Voyage of the Beagle, curated by Heike Munder, migros museum für gegenwartskunst,
Zurich, April 28-June 24; traveled to Kunsthalle Nürnberg, curated by Ellen
Seifermann, September 13–November 4 (catalogue)

2006
When Hangover Becomes Form, in collaboration with Scott Lyall, The Contemporary Art
Gallery, Vancouver, March 31–May 28; traveled to LACE, Los Angeles, June 21–
August 20
Checking the Tires, Not To Mention the Marble Nude, Galerie Christian Nagel, Cologne,
May 5–June 17
sometimes it snows in april, (presentation with Michael Krebber), The McAllister Institute,
New York, October 27–December 8

2005
Car Stereo Parkway, Transmission Gallery, Glasgow, April 16–May 14

2004
Latka/Latkas, Greene Naftali Gallery, New York, May 8–June 12
Excuse Me? Arndt & Partner, Berlin, June 26–August 7
New Work, curated by Jill Dawsey, San Francisco Museum of Modern Art, November 12–
March 13, 2005
Posh Floored as Ali G Tackles Becks, curated by Jenny Lomax, Camden Arts Centre, London, November 12–March 13, 2005 (catalogue)

2003
Westward Ho, curated by Bjarne Melgaard, Bergen Kunsthall, Gallery No. 5, May 22–
August 17

2002
Seven Sculptures, Arndt & Partner, Berlin, March 9–April 20
Art Statements, Art 33 Basel, June 18–23
Brides and Bases, curated by Ben Portis, Oakville Galleries, Toronto, September 14–
November 17 (catalogue)
Currents 30: Rachel Harrison, curated by Stefano Basilico, Milwaukee Art Museum,
September 20–January 5, 2003 (catalogue)

2001
Perth Amboy, Greene Naftali Gallery, New York, March 4–April 4

1999
Patent Pending: Beveled Rasp Sac, Greene Naftali Gallery, New York, May 13–June 19

1997
The Look of Dress-Separates, Greene Naftali Gallery, New York, March 21–April 20

1996
Should home windows or shutters be required to withstand a direct hit from an eight-
foot-long two-by-four shot from a cannon at 34 miles an hour, without creating a
hole big enough to let through a three-inch sphere? Arena Gallery, Brooklyn,
February 25–March 31

Group Exhibitions

2012
Zoologie, Musée d’art contemporain de Montréal, curated by Marie Fraser & François Le
Tourneux, May 24 – September 3
The Institute of Contemporary Art Collection Show, The Institute of Contemporary Art in
Boston, March 20
Matters of Fact, Curated by Tom Eccles, Suzy M. Halajian, Marieluise Hessel, Nathan Lee,
Alicia Ritson, and Kelly Taxter, Center for Curatorial Studies, Hessel Museum,
Bard College, Annandale-on-Hudson, March 18 – May 27
Utopia/Dystopia: Constructed with Photography, Museum of Fine Arts, Houston, TX,
March 11, - June 10
American Academy of Arts & Letters, curated by Virginia Dajani, March 6 – April 15
Friends & Family, curated by Kenny Schacter, ROVE Gallery, February 25 – March 31
Look Now: Modern and Contemporary Art from Private Collections, Montclair Art Museum,
February 12 – June 17

2011
Absentee Landlord, Curated by John Waters, Walker Art Center, Minneapolis,
June 11 – July, 2012
Repossessed, Western Bridge, Seattle, Washington
Facing the Abyss, Witzenhausen Gallery, New York, opens September 22
Universes in Universe, Astrup Fearnley Museum Collection at the
Sao Paulo Biennial, Sept 26, 2011
Distant Star: An exhibition organized around the writings of Roberto Bolaño,
Regen Projects, Los Angeles, July 14 - August 20. Travels to kurimanzutto,
Mexico City, September 10- October 29.
2011 Bridgehampton Biennial, curated by Bob Nickas, Martos Gallery, Bridgehampton, NY,
July 9 - September 5.
We Will Live, We Will See, curated by Pavel S. Pyś, Zabludowicz Collection, London. July 7
– August 14, 2011
14 & 15, curated by David Muenzer, The Lipstick Building, New York, June 18 – July 2
Schnitte im Raum, Skulpturale Collagen, Museum Morsbroich, Leverkusen, Germany,
June 1-August 21
The Original Copy, curated by Roxana Marcoci, Kunsthaus, Zurich, February 25 – May 15
Lay of the Land, curated by Frank Gautherot, Le Consortium, Dijon, France.
Notations/Everyday Disturbances. Philadelphia Museum of Art, Philadelphia, February 25 –
Fall 2011
Time Again, curated by Fionn Meade, ScuptureCenter, Long Island City, New York, May 9 –
July 25
From the Recent Past: New Acquisitions, Museum of Contemporary Art, Los Angeles,
March 13 - July 3
Transformed Objects: with works by John Bock, Jürgen Drescher, Rachel Harrison, Alicja
Kwade, Thomas Rentmeister, Margret Wibmer, curated by Zdenek Felix and
Ludwig Seyfarth, KAI 10, Raum für Kunst / Arthena Foundation, Düsseldorf,
Germany
That's the way we do it, curated by Yilmaz Dziewior, Kunsthaus Bregenz, Bregenz,
Austria, April 15 - July 3
Human Nature: Contemporary Art from the Collection, LACMA, Los Angeles, March 13 –
July 4
Entertainment, Greene Naftali Gallery, New York, March 3-April 2
The Spectacular of Vernacular, curated by Darsie Alexander, Walker Art Center,
Minneapolis, January 29- May 8; Contemporary Arts Museum Houston, July 23 -
September 18; Montclair Art Museum, Montclair, NJ, October 8, 2011 - January 1,
2012; Ackland Art Museum, Chapel Hill, NC, January 14 - March 18, 2012
New York to London and Back, Thomas Dane Gallery, London, Organized by Miguel
Abreu, Robin Mackay, Tobias Huber and Martine d’Anglejan, in collaboration with
Sutton Lane, January 18 – February 19, 2011
Modern British Sculpture, Royal Academy of Arts, London, January 22 - April10

2010
How Soon Now, Rubell Family Collection, Miami, December 1-May 31, 2011
Ordinary Madness, Carnegie Museum of Art, Pittsburgh, October 15 2010 – January 9
2011
The Last Newspaper, curated by Richard Flood, New Museum, New York, October 6-
January 9, 2011
The Original Copy: Photography of Sculpture, 1839 to Today, curated by Roxana Marcoci,
MoMA, New York, August 1–November 10; to Kunsthaus Zürich, February 25–May
13, 2011 (catalogue)
Contemporary Art from the Collection, curated by Kathy Halbreich, Museum of Modern
Art, New York, June 30-May 9, 2011
At Home/Not At Home: Works from the Collection of Martin and Rebecca Eisenberg, CCS
Bard Hessel Museum of Art, Annandale-on-Hudson, NY, June 26-December 19,
2010
Blind Spot Lab & Exhibition - Issue 41, Wild Project, New York, May 21-June 26, 2010
Pictures by Women: A History of Modern Photography, Museum of Modern Art, New York,
May 7-March 21, 2011
Nachleben, curated by Fionn Meade and Lucy Raven, Wyoming Building, Goethe-Institut,
New York, May 7-30, 2010
Sorry we’re Closed, curated by Sebastien Janssen, Art Brussels, April 28-May 1
Haunted: Contemporary Photography/Video/ Performance, Solomon Guggenheim
Museum, March 26–September 6; Guggenheim Museum, Bilbao, November 6 2010
- March 13 2011
Abstract Resistance, curated by Yasmil Raymond, Walker Art Center, Minneapolis,
February 27¬–May 23 (catalogue)

2009
Altermodern, Tate Triennial, curated by Nicholas Bourriaud, Tate Britain, London,
February 3–April 26 (catalogue)
N’importe Quoi, curated by Vincent Pecoil and Olivier Vadrot, Musée d’art contemporain
de Lyon, February 13–April 19
phot(o)bjects, curated by Bob Nickas, Presentation House Gallery, Vancouver, April 10–
June 7
Lichtzwang, Dvir Gallery, Tel Aviv, April 16–June 13
Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary
Drawings Collection, curated by Christian Rattemeyer and Cornelia H. Butler,
MoMA, New York, April 22–January 4, 2010 (catalogue)
Practice, Practice, Practice, curated by Michael Smith and Jay Sanders, Lora Reynolds
Gallery, Austin, May 2–June 13
Making Worlds, 53rd Venice Biennale, curated by Daniel Birnbaum, Italian Pavilion, June 7–
November 22 (catalogue)
Mapping the Studio: Artists from the François Pinault Collection, curated by Francesco
Bonami and Alison Gingeras, Palazzo Grassi, Venice, June 6 - (catalogue)
Collecting History: Highlighting Recent Acquisitions, curated by Ann Goldstein and
Bennett Simpson, Museum of Contemporary Art, Los Angeles, July 12–October 19
The Secret Life of Objects, curated by John Rasmussen, Midway Contemporary Art,
Minneapolis, July 21–September 26
For the blind man in the dark room looking for the black cat that isn’t there, curated by
Anthony Huberman, Contemporary Art Museum, St. Louis, September 11–January
3, 2010; traveled to Institute of Contemporary Arts, London, December 3–January
31, 2010; Museum of Contemporary Art Detroit, February 5–April 4, 2010; de
Appel Arts Centre, Amsterdam, February–April 2010; Culturgest, Lisbon, May 29 –
August 29, 2010(catalogue)
Precarious Form I, curator Veit Loers, Galerie Meyer Kainer, Vienna, September 9–
October 17
A Few Frames: Photography and the Contact Sheet, curated by Elisabeth Sussman and
Tina Kukielski, Whitney Museum of American Art, New York, September 25–
January 3, 2010
Beg Borrow and Steal, the Rubell Family Collection, Miami, December 2–May 29, 2010 (catalogue)

2008
Whitney Biennial, curated by Henriette Huldisch and Shamim M. Momin, Whitney Museum
of American Art, New York, March 6–June 22 (catalogue)
Plug In #38, curated by Lily van der Stokker, Vanabbemuseum, Eindhoven, the
Netherlands, April 19–August 31
The Alliance, curated by Seungduk Kim and Franck Gautherot, doART, Seoul, Korea, and
Beijing, China, June 12–July 13
Standard Sizes, curated by João Ribas, Andrew Kreps Gallery, New York, June 14–July 12
You Can Go Your Own Way, curated by Claudia Altman Siegel, Renwick Gallery, New York,
June 26–August 2
Front Room: Dieter Roth and Rachel Harrison, curated by Darsie Alexander, Baltimore
Museum of Art, Baltimore, October 12–January 4, 2009
Works on Paper by Gallery Artists and Ricci Albenda, Greene Naftali Gallery, New York,
October 22–November 23

2007
Still Life and Kicking, curated by Dodie Kazanjian, Paula Cooper Gallery, New York, May
10–June 8
The Hamsterwheel, curated by Franz West Studio, Arsenale di Venezia, Venice, June 8–
August 26; traveled to Festival de Printemps de Septembre, Toulouse, September
21–October 14; Centre d’Art Santa Mónica, Barcelona, November 9–January 5,
2008; Konsthall Malmo, Sweden, May 17–August 8, 2008
Pop Art Is, curated by Mark Francis with Richard Hamilton, Gagosian Gallery, London,
September 27–November 21 (catalogue)
Insubstantial Pageant Faded, curated by Eric Fredericksen, Western Bridge, Seattle
XXS (Extra Extra Small), Sommer Contemporary Art, Tel Aviv, October 25–
December 14
Fit to Print, Gagosian Gallery, New York, November 12–June 26, 2008
For the People of Paris, curated by Scott Lyall and Blake Rayne, Sutton Lane Gallery, Paris,
November 24–December 22 (catalogue)
Unmonumental: The Object in the 21st Century, curated by Richard Flood, Laura Hoptman, and Massimiliano Gioni, New Museum, New York, December 1–April 6, 2008
(catalogue)
Perspectives 159: Superconscious, Automatisms Now, curated by Paoloa Morsiani, Contemporary Arts Museum Houston, December 14–March 9, 2008
Paul Thek in the Context of Today’s Contemporary Art, curated by Roland Groenenboom
and Gregor Jansen, ZKM, Karlsruhe, December 15, 2007–March 30, 2008; traveled
to Sammlung Falckenberg, Hamburg, December 15–March 30, 2008 (catalogue)

2006
Dark, curated by Jan Grosfeld and Rein Wolfs, Museum Boijmans Van Beuningen,
Rotterdam, February 18–April 17 (catalogue)
Motore Immobile, curated by Jay Sanders, Greene Naftali Gallery, New York, February 22–
April 1
Ridykeulous, curated by A.L. Steiner and Nicole Eisenman, Participant Inc, New York,
March 10–April 2
Survivor, curated by David Rimanelli, Bortolami Dayan, New York, March 11–April 8
(catalogue)
Of Mice and Men, The 4th Berlin Biennale, curated by Maurizio Cattelan, Massimiliano
Gioni, and Ali Subotnick, Kunst-Werke Institute for Contemporary Art, Berlin,
March 25–June 5 (catalogue)
Daisychain, curated by Bruce Haines, MOT Gallery, London, May 12–June 17
Pose and Sculpture, curated by Daniel Baumann, Casey Kaplan Gallery, New York, June
30–August 4 (catalogue)
The Swan Is Very Peaceful, Richard Telles Fine Art, Los Angeles, July 1–August 31
Shiny, curated by Helen Molesworth, The Wexner Center for the Arts, Columbus,
September 16–December 31
Werner Herzog, Blum and Poe, Los Angeles, October 21–November 22
The Uncertainty of Objects and Ideas: Recent Sculpture, curated by Anne Ellegood,
Hirshhorn Museum and Sculpture Garden, Washington, DC, October 26–January 7,
2007 (catalogue)

2005
Make It Now: New Sculpture in New York, curated by Mary Ceruti, Anthony Huberman, and
Franklin Sirmans, SculptureCenter, Long Island City, May 15–July 31 (catalogue)
Funfmalskulptur, curated by Carina Plath, Westfalischer Kunstverein, Münster, June 11–
August 21
The Jeweleigha Set, Greene Naftali Gallery, New York, June 27–July 29
Ordering the Ordinary, curated by David Thorpe, Timothy Taylor Gallery, London, July 14–
August 31
Drunk vs. Stoned 2, curated by Gavin Brown, Corinna Durland, Elysia Borowy-Reeder,
Scott and Tyson Reeder, Gavin Brown’s enterprise, New York, August 4–September
7
When Humor Becomes Painful, curated by Heike Munder and Felicity Lunn, Migros
Museum für Gegenwartskunst, Zurich, August 27–October 30 (catalogue)
Sculpture New Spirit, Galerie Nathalie Obadia, Paris, September 10–October 22

2004
Building the Collection: New and Future Acquisitions, Art Gallery of Ontario, March 27–
June 20
Collage, Bloomberg SPACE, London, March 27–May 8
American Idyll, Greene Naftali Gallery, New York, March 31–May 1
Reordering Reality, Collecting Contemporary Art, curated by Annegreth T. Nill, Columbus
Museum of Art, Ohio, April 10–June 13
Open House: Working in Brooklyn, curated by Charlotta Kotik and Tumelo Mosaka,
Brooklyn Museum of Art, Brooklyn, April 16–August 15 (catalogue)
Drunk vs. Stoned, curated by Gavin Brown, Corinna Durland, Elysia Borowy-Reeder, Scott
and Tyson Reeder, Gavin Brown’s enterprise, New York, April 22–May 31
Speaking with Hands: Photographs from The Buhl Collection, curated by Jennifer Blessing,
Solomon R. Guggenheim Museum, New York, June 4–September 8 (catalogue)
Home, curated by Patterson Beckwith, American Fine Arts, Co., New York, July
Slouching Towards Bethlehem, curated by Jeffrey Uslip, The Project, New York, July 29–
August 21
54th Carnegie International, curated by Laura Hoptman, Carnegie Museum of Art,
Pittsburgh, October 9–March 20, 2005 (catalogue)
Hysterical, curated by Michele Maccarone, Galerie Dennis Kimmerich, Düsseldorf,
November 13–January 8, 2005
Last One On is a Soft Jimmy, curated by Kelley Walker, Paula Cooper Gallery, New York,
December 11–January 8, 2005

2003
The Structure of Survival, Dreams and Conflicts: The Dictatorship of the Viewer, 50th
Venice Biennale, curated by Carlos Basualdo, Arsenale di Venezia, June 15–
November 2 (catalogue)
Rachel Harrison, Hirsch Perlman, Dieter Roth, Jack Smith and Rebecca Warren, curated by
Jeffrey Peabody, Matthew Marks Gallery, New York, July 9–August 15
The Paper Sculpture Show, curated by Cabinet magazine, iCI, and SculptureCenter, Long
Island City, New York, and 20 other locations, September 7–December 7
The Inconsiderable Things, Brighton Photo Biennial, curated by Jeremy Millar, University of
Brighton, October 24–November 26
The Alumni Show, curated by Nina Felshin, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, Connecticut, November 8–December 7

2002
Pictures, Greene Naftali Gallery, New York, January 4–February 4
Whitney Biennial, curated by Lawrence Rinder, Whitney Museum of American Art, New York, March 7–May 26 (catalogue)
Building Structures, curated by Klaus Biesenbach, P.S.1 Contemporary Art Center, Long
Island City, September 23–February 1, 2003
Stories, curated by Stephanie Rosenthal, Haus der Kunst, Munich, December 2–March 8,
2003 (catalogue)
K48 Teenage Rebel—The Bedroom Show, curated by Scott Hug, John Connelly Presents,
New York, December 3–January 19, 2003
Youngstars, curated by Horst Kohn, Krinzinger Projekte, Vienna, December 18–March 29,
2003

2001
Group Show (Spring 2001), curated by Michele Maccarone and Chivas Clem, The Fifth
International, New York
Spiritual America, Audiello Fine Art Inc., New York, May 11–June 16
Off the Wall, curated by Greg Sandoval and Sam Gordon, Gallery 400, University of Illinois,
Chicago, August 21–September 22

2000
Photasm: Sculptors Using Photography, curated by Peter Dudek, Arts Atrium Gallery,
Union College, Schenectady, January 6–February 5; traveled to Hunter
College/Times Square Gallery, New York, October 5– November 18 (catalogue)
Photography about Photography, curated by Liz Deschenes, Andrew Kreps Gallery, New
York, February 5–March 4
Trailer, Greene Naftali Gallery, New York, February 25–March 25
Greater New York: New Art in New York Now, curated by Klaus Biesenbach, Carolyn
Christov-Bakargiev, and Alana Heiss, P.S.1 Contemporary Art Center, Long Island
City, March 7–May 16 (catalogue)
Rapture, curated by Janet Phelps, 529 West 20th Street, 8th floor, New York, May 5–June 3
Walker Evans & Company, curated by Peter Galassi, Museum of Modern Art, New York,
March 16–August 22; J. Paul Getty Museum, Los Angeles, July 10, 2001
(catalogue)
New York Projects, curated by Luke Dowd, Delfina Project Space, London, July 27–
September 10
The Armchair Project, curated by DeClan Clarke and Paul McDevitt, Cinch, London,
October 11–28
Superpredators, curated by Jose Freire, C.R.P., Brooklyn, October 13–December 11
Full Serve: Celebrating Ten Years of Shows, curated by Kenny Schachter, presented by
Kenny Schachter/Rove, New York, October 25–December 3

1999
Hypervision, curated by Caitlin Masley, Elizabeth Cherry Contemporary Art, Tucson
Answer yes, no, or don’t know; Part II: Layers, curated by Ricci Albenda, Andrew Kreps
Gallery, New York, January 6–January 16
Free Coke, Greene Naftali Gallery, New York, January 30–March 13
monochrome, Patrick Callery Gallery, New York, March 27–April 24
New York Neither/Nor,” curated by Bill Arning, Grand Arts, Kansas City, June 17–August 8
What Big Is, Geoffrey Young Gallery, Great Barrington, Massachusetts, July 15–August 7
Still Life, curated by Helen Molesworth, State University of New York College at Old
Westbury, Old Westbury, September 23¬–October 23
GIRLSCHOOL, curated by Catherine Morris and Maureen Mahoney, Brenau University
Galleries, Gainesville, Georgia, October 8–December 5
Sleeping Waters//Eaux Dormantes, Galerie Chantal Crousel, Paris, November 13–
December 23
I’m Not Here: Constructing Identity at the Turn of the Century, curated by Jonathan Van
Dyke and Sean Mellyn, Susquehanna Art Museum, Harrisburg, Pennsylvania,
December 1–January 31, 2000
DOPE. An XXX-Mas Show, American Fine Arts, Co., New York, December 22–January 8,
2000

1998
Lo-Fi Baroque, curated by Michael Sarff and Carol Stakenas, Thread Waxing Space, New
York, January 10–February 14 (catalogue)
Super Freaks: Post Pop & The New Generation; Part I: Trash, Greene Naftali Gallery, New
York, February 7–April 18
Science, Feature Inc., New York, February 21–March 28
New Photography 14, curated by Darsie Alexander, Museum of Modern Art, New York,
October 15¬–January 12, 1999

1997
Summer of Love, Fotouhi Cramer Gallery, New York, July 2–August 2
Current Undercurrent: Working in Brooklyn, curated by Charlotta Kotik, Brooklyn Museum
of Art, Brooklyn, July 25–January 25, 1998
Prosthetic Garden, Daniel Silverstein Gallery, New York, September 11–October 11
The New God, curated by John Connelly, Andrea Rosen Gallery, New York, September 17–
27
Normotic, curated by David Humphrey, 1 Great Jones, New York, September 30–October
25
Paper Trail, curated by Gregory Volk and Sabine Russ, Pierogi 2000, Brooklyn, October
17–November 17
Anne Chu, Rachel Harrison, Donald Moffett, Jasmin Sian, Marc Foxx, Los Angeles, October
18–November 15
24 Seven, curated by Alexander Berscheid, Galerie Klaus Peter Goebel, Stuttgart, October
24–November 29
Summer Group Show, curated by Charles Dee Mitchell, Turner & Runyon, Dallas
TXInstalltions/Projects, P.S.1 Contemporary Art Center, Long Island City, October
29–February 1, 1998
Funny Pictures, Ten in One Gallery, Chicago, November 21–December 20

1996
Post Hoc, curated by Alison Greene, Stark Gallery, New York, January 5–27
Sculpture Incorporating Photography,” Feature Inc., New York, February 23–March 30
Sex, Drugs And Explosives, curated by Kenny Schachter, New London ArtForms, London,
March 28–May 23
Rachel Harrison and Michael Lazarus, Feature Inc., New York, May 17–June 22
Summer Exhibition, Greene Naftali Gallery, New York, June 19–August 2
Space, Mind, Place, curated by John Connelly and Michelle Reyes, Andrea Rosen Gallery,
New York, July 7–August 9
Flamingo East, curated by Kenny Schachter, Flamingo East, New York, August 9–31
Summer Trash, crated by Benny Fachter, Flamingo East, New York, August 9–31
Shit, Baron Boisante Gallery, New York, September 17–November 16
DISSOCIATIONISM, Four Walls, Brooklyn, Sunday October 20
Taking Stock, curated by Kenny Schachter, The Exchange, 25 Broad Street, New York,
November 7–November 17
Facing The Millenium: The Song Remains The Same, curated by Kenny Schachter,
Arlington Museum of Art, Arlington, TX, November–January 1997
The Experimenters, curated by Kenny Schachter, Lombard-Freid Fine Arts, New York,
December 18–January 18, 1997

1995
Summer Exhibition, Paolo Baldacci Gallery, New York
Smells Like Vinyl, Roger Merians Gallery, New York
Dark Room, Stark Gallery, New York, January 5–28
Looky Loo, curated by Kenny Schachter, Sculpture Center, New York, April 1–25
High Anxiety, curated by Kenny Schachter, 66 Crosby Street, New York, April 18–May 31
Either/Or, curated by Kenny Schachter, Flamingo East, 219 2nd Ave., New York, July 12–
August 6
Oy!, curated by Kenny Schachter, 121 Greene Street, New York, September 30–November 7

1994
Pre-Existing Condition, curated by Kenny Schachter, The Puffin Room, New York, January
21–February 21
Resurrections: Objects with New Souls, The William Benton Museum of Art, University of
Connecticut at Storrs, January 26–March 18
Group Show, Galerie Elizabeth Valleix, Paris, March 21–April 31
Dirty, curated by Carol Greene, John Good Gallery, New York, April 1–23
I Could Do That, curated by Kenny Schachter, 109 Spring Street, New York, April 16–May
16
Tight, curated by Keith Wilson and Richard Woods, Tannery Arts, 57 Bermondsey Street,
London, July 18–July 17
Women at Work, curated by Jill Brienza and Gretel Capriles, The Roger Smith Gallery, New
York, September
UnSuccess Story, curated by Kenny Schachter, 479 Broome Street, New York, September
10–October 8

1993
High, curated by Kenny Schachter, Flamingo East, 219 2nd Ave., New York, January 7–
February 5
I Was Born Like This, curated by Kenny Schachter, 238 Mulberry Street, New York, January
21–March 6
Simply Made in America, curated by Barry Rosenberg, Aldrich Museum of Contemporary
Art, Ridgefield, Connecticut, January 24–May 2, 1993; Contemporary Arts Center,
Cincinnati, February 4–March 28, 1994; Butler Institute of American Art,
Youngstown, Ohio, September 18–October 30, 1994; Palm Beach Community
College of Art, Palm Beach, November 15, 1994–January 15, 1995; Delaware Art
Museum, Wilmington, March 3–April 30, 1995 (catalogue)
1920: The Subtlety of Subversion, The Continuity of Intervention, Exit Art, New York,
March 6–April 17
For Sale, curated by Kenny Schachter, Flamingo East, New York, July 28–August 14
Shooting Blanks, curated by Kenny Schachter, 81 Greene Street, New York, September 1–
October 15
Four Walls Benefit, David Zwirner Gallery, New York, October 28–30
Poverty Pop: The Aesthetics of Necessity, Exit Art, New York, November 13–January 8,
1994
TRESSPASS: Beyond Borders, curated by Donald O. Odita, The Right Bank, 409 Kent
Avenue, Brooklyn, November 7–28

1992
The Lesbian Museum: Ten Thousand Years of Penis Envy, curated by Nicole Eisenman and
Chris Martin, Franklin Furnace, New York, March 13–April 5
Morality Café, curated by Kenny Schachter, Postmasters Gallery, New York, June 7–August
2
7 Rooms/7 Shows, curated by Kenny Schachter, P.S.1 Contemporary Art Center, Long
Island City, November 8–January 10, 1993

1991
Ego Show, Minor Injury, Brooklyn
The Neurotic Art Show, group show comprising the first fifty-five callers to a designated
phone number, Four Walls Gallery, Brooklyn
Open Bar, curated by Kenny Schachter, Flamingo East, 219 2nd Ave., New York, August 1–
15
Unlearning, curated by Kenny Schachter, 142 Greene Street, New York, December 4–
January 26, 1992

1990
Habitat, AMMO Artist’s Exhibition Space, 135 Plymouth Street, Brooklyn, April 22–May 20
The Rights of Spring, curated by Rachel Stevens, Epoche Gallery, 397 Wythe Avenue,
Brooklyn, May 6–June 3
Collections, Brand Name Damages, curated by Kristi Hanna, 201 Bedford Ave., Brooklyn,
October 15–27

Monographs and Catalogues

2011
Birnbaum, Daniel, Cornelia H. Butler, and Suzanne Cotter. Defining Contemporary Art: 25
Years in 200 Pivotal Artworks. London: Phaidon Press, 2011, 402-403.
Meade, Fionn, ed. Time Again. New York: SculptureCenter.

2010
Banks, Eric, and Sarah Valdez, eds. Rachel Harrison: Museum With Walls. Center for
Curatorial Studies, Bard College; Whitechapel Gallery, London; and Portikus,
Frankfurt am Main, 2010. (monograph)
Blessing, Jennifer and Nat Trotman. Haunted: Contemporary Photography Video
Performance. New York, Guggenheim Museum 2010.
Butler, Cornelia H., and Alexandra Schwartz, eds. Modern Women: Women Artists at The
Museum of Modern Art. New York: Museum of Modern Art, 469-470.
Batchen, Geoffrey, Tobia Bezzola, and Roxana Marcoci. The Original Copy: Photography of
Sculpture, 1839 to Today. New York: Museum of Modern Art, 182-183.

2009
Bonami, Francesco and Alison Gingeras. Mapping the Studio: Artists from the François
Pinault Collection. Milan: Electa: 366–367.
Bourriaud, Nicholas, ed. Altermodern: Tate Triennial 2009. London: Tate Britain: 114–119.
Carlin, T.J. “Rachel Harrison.” In Vitamin 3-D: New Perspectives in Sculpture and
Installation. New York: Phaidon Press: 142–145.
Martignoni, Rossella, ed. Making Worlds, Fare Mondi, 53rd International Art Exhibition.
Venice: Marsilio: 80–81.
Rattemeyer, Christian, ed. Compass in Hand: Selections from The Judith Rothschild
Foundation Contemporary Drawings Collection. New York: Modern of Modern Art:
192.
Roselione-Valadez, Juan, ed. Beg Borrow and Steal. Miami: the Rubell Family Collection:
102–¬104.

2008
Banks, Eric and Rachel Harrison. “Hostess with the Mostess.” In Darsie Alexander, ed.,
Franz West: To Build a House You Start with the Roof. Cambridge: MIT Press: 173–
185.
Dalton, Trinie Whitney Biennial 2008. New York: Whitney Museum of American Art, 148–
149.

2007
For the People of Paris. Paris: Sutton Lane Gallery: 38–41.
Falckenberg, Harald and Peter Weibel, ed.s. Paul Thek: Artist’s Artist. Karlsruhe: ZKM and
Hamburg: Sammlung Falckenberg: 41, 211.
Flood, Richard, Massimiliano Gioni, and Laura Hoptman, eds. Unmonumental: The Object
in the 21st Century. London: Phaidon Press and New York: New Museum: 94–99.
Munder, Heike, Ellen Seifermann, and John Kelsey. If I Did It. Zurich: Migros Museum and
JRP Ringier. (monograph)

2006
Baum, Kelly. “Rachel Harrison,” In Annette DiMeo Carlozzi and Kelly Baum, eds., Blanton
Museum of Art: American Art Since 1900. Austin: Blanton Museum of Art: 118–
119.
Baumann, Daniel, ed. Pose and Sculpture. New York: Casey Kaplan Gallery: 22, 23.
Cattelan, Maurizio, Massimiliano Gioni, and Ali Subotnick, eds. Of Mice and Men: The 4th
Berlin Biennale. Berlin: Kunst-Werke Institute for Contemporary Art: 158–159.
Ellegood, Ann, ed. The Uncertainty of Objects. Washington, D.C.: Hirshhorn Museum and
Sculpture Garden: 66–75.
Grosfeld, Jan and Rein Wolfs, eds. Dark. Rotterdam: Museum Boijmans Van Beuningen: 41,
121, 128.
Sundell, Margaret. “Rachel Harrison.” In Vitamin Ph: New Perspectives in Photography.
London: Phaidon Press: 122–123.

2005
Ceruti, Mary, Anthony Huberman, and Franklin Sirmans, eds. Make It Now: New Sculpture
in New York. Long Island City: SculptureCenter: 50–51.
Munder, Heike, ed. When Humor Becomes Painful. Zurich: Migros Museum für
Gegenwartskunst and JRP Ringier: 117–118.

2004
Open House: Working in Brooklyn. Brooklyn: Brooklyn Museum of Art.
Speaking with Hands: Photographs from The Buhl Collection. New York: Guggenheim
Museum: 151.
Renton, Andrew. Posh Floored as Ali G Tackles Becks. London: Camden Arts Centre.
(Exhibition pamphlet.)
Thomas, Elizabeth. 54th Carnegie International. Pittsburgh: Carnegie Museum of Art,
158–161.

2003
Dictatorship of The Viewer, 50th International Art Exhibition. Venice: La Biennale di
Venezia: 242, 258.
Basualdo, Carlos ed. “The Structure of Survival.” In Dreams and Conflicts: The

2002
Basilico, Stefano, Rachel Harrison, and Gareth James. Currents 30: Rachel Harrison.
Milwaukee: Milwaukee Art Museum, 14–22.
Portis, Ben and Margaret Sundell, Brides and Bases. Toronto: Oakville Gallery. (Exhibition
catalogue.)
Rinder, Lawrence. Whitney Biennial: 2002. New York: Whitney Museum of American Art:
100–101.

2000
Biesenbach, Klaus, Carolyn Christov-Bakargiev, and Alana Heiss. Greater New York: New
Art in New York Now. Long Island City: P.S.1 Contemporary Art Center.
Galassi, Peter. Walker Evans & Company. New York: Museum of Modern Art and Los
Angeles: J. Paul Getty Museum: 189.

1993
Rosenberg, Barry. Simply Made in America. Contemporary Art Center: Cincinnati, Ohio:
33–36.

Selected Articles

2011
Goldstein, Andrew M. “Rachel Harrison Receives the Calder Prize at a Rooftop
Ceremony with Sweeping Views of Venice’s Grand Canal,” artinfo.com, June 2,
2011. Web.
Pogrebin, Robin. “Calder Prize Awarded to American Artist,” The New York Times, May
10, 2011.
Sutton, Benjamin. “Brooklyn Sculptor Rachel Harrison Wins Prestigious Calder Award,”
The L Magazine. May 4, 2011. Web.

2010
“Art: Summer Preview: Object Lessons,” New Yorker, June 14 & 21: 30.
“Abstract Resistance, Walker Art Center.” Artpulse. December-February: 97.
Boehm, Mike. “Herb Alpert-funded awards will pay five artists $75,000 each,” Los Angeles
Times, October 26, 2010 [http://latimesblogs.latimes.
com/culturemonster/2010/10/herb-alpert-arts-awards.html].
Cotter, Holland. “A Gathering Of Women With Cameras,” New York Times, May 28, 2010:
C27.
Court, David. “And Other Essays.” CMagazine, Issue 105. Spring: 38-39.
Coxhead, Gabriel. “Rachel Harrison: Whitechapel Gallery.” Time Out London, May 5.
Doran, Anne. “The Original Copy: Photography of Sculpture, 1839 to Today.” Time Out
New York, September 16-22, p. 54.
Harrison, Rachel. “Paul Thek: Diver, a Retrospective”, Artforum, September 2010, p.161
Herbert, Martin. “Now See This.” Art Review. March: 31.
Jones, Jonathan. “Lost in the third dimension.” The Guardian. May 13: 12-13.
Kim, Seungduk. “Rachel Harrison.” Art in Culture, Issue 1: 92-93.
Lehrer-Graiwer, Sarah. “Rachel Harrison’s ‘Asdfjkl;’ at Regen Projects, LA,” art agenda
[http://art-agenda.com/agenda/view/60].
Luke, Ben. “Method in the Madness,” London Evening Standard. Apri 27: 36-37.
Mac Giolla Leith, Caoimhim. "Looking Forward." frieze, January/February: 92.
Mack, Joshua. “LA Roundup: Rachel Harrison, John Baldessari and Edition
Jacob Samuel,” Art Review, July 9, 2010. [http://www.artreview.com/forum/topics/la-
roundup-rachel-harrison]
Nickas, Bob. "Looking Back: Biennials and Group Shows." Frieze. January/February: 84-85.
Pagel, David. “Art Review: Rachel Harrison at Regen Projects,” Los Angeles Times, July 2,
2010. [http://latimesblogs.latimes.com/culturemonster / 2010/07/art-review-
rachel-harrison-at-regen-projects.html].
Pulitzer, Sam. “Rachel Harrison: NÜ-IDIOMS,” Flash Art. Vol. XLIII, No. 273, July-
September 2010: 80-83.
Sherwin, Skye. “Rachel Harrison.” 10 Magazine (Men). May.
Schad, Ed. “Rachel Harrison’s Strangely Sensible Sculptures,” Art Slant Los Angeles
[http://www.artslant.com/la/articles/show/17534].
Smith, Roberta. “In Fields of Art, Snapping Photos.” New York Times: Friday, April 2: C23,
C29.
Sundell, Margaret. “Preview: The Original Copy: Photography of Sculpture, 1839 to
Today,” Artforum, May: 132.

2009
Baker, R.C. “Girl With Curious Art: An adventure up the Hudson to see Rachel Harrison.”
Village Voice. July 8–14: 31.
Campbell-Johnston, Rachel, “Altermodern: Tate Triennial 2009 at Tate Britain.” February
3: visual_arts/article5643613.ece> .
Carlin, T.J. “Rachel Harrison: Consider the Lobster & Other Essays.” Art in America online.
July 31: < http://www.artinamericamagazine.com/reviews/rachel-harrison-
consider-the-lobster-other-essays/>.
Carlin, T.J. “Day Trips.” Time Out New York. July 23–29.
Cotter, Holland. “The Museum as Stage Set, Filled With Glamorous Mess.” New York
Times. July 2: C21–25.
Cotter, Holland, “Times Are Tough? Bring On Vermeer and the Pianos.” New York Times.
December 20: AR30.
Crane, Jeff, “Claws and Affect.” Chronogram. September: 105.
de Bellis, Vincenzo. “Switching the Addends.” Mousse Magazine. February/March: 90–93.
Frazier, Simone, “Rachel Harrison—the ironic Jungian.” September 15:
jungian.html>.
Goosen, Moosje, “Rachel Harrison: What the hell is blob?!” Metropolis. December/January,
44–51; 75–77.
Harrison, Rachel. Blind Spot 41. Inside cover; 3–5. (Artist’s project.)
Mead, Rebecca. “The Art Doctor.” New Yorker. May 11: 58–65.
Menendez-Conde, Ernesto. “Altermodern?” ArtPulse. October/November: 26–29.
Pil and Galia Kollectiv. “Object Orientations.” Art Papers. November/December: 30–37.
Ritter, Kathleen. “Rachel Harrison: Consider the Lobster.” Esse. July: 109.
Schmitz, Edgar. “Tate Triennial 2009.” Artforum. May: 228–229.
Schwabsky, Barry. “Hubbub and Stillness: The 2009 Venice Biennale.” Nation. July 20: 34–
36.
Sholis, Brian, “Everything Under Consideration: Rachel Harrison at ‘Midcareer.’” Kaleidoscope. November/December: 26–29.
Sussman, Elisabeth. “Rachel Harrison: Hessel Museum of Art and CCS Galleries at Bard College, Annandale-on-Hudson, New York.” Artforum. November: 222–223.
Valdez, Sarah. “Appearances vs. Reality: Rachel Harrison’s lobster pageant.” art on paper.
September/October: 33–36.
Whitman-Salkin. “Rachel Harrison: Consider the Lobster And Other Essays.” Kaleidoscope. September¬–October: 109.
Widmann,Tanja. “That’s Really Nice. But I Don’t Have to Answer Your Question: Tanja Widmann über Rachel Harrison in der Galerie Meyer Kainer, Wien.” Texte zur Kunst.June:
214–217.
Wiley, Chris. “Rachel Harrison: The Office, A Special Project by Maurizio Cattelan, Massimiliano Gioni, Ali Subotnik.”Abitare. February: 173–175.

2008
Blake, Nayland. “Conversation with Rachel Harrison.” Bomb. Fall: 44–53.
Buskirk, Martha, “En todas y en ninguna parte? (Everywhere and Nowhere?)” Exit Express
36. May.
Cotter, Holland. “Art’s Economic Indicator.” New York Times. March 7: E 31–34.
Baker, George, Bice Curriger and Bettina Funcke, eds. “Mind the Gap”; Ina Blom, “Enigmarelle—The Statuesque”; Allison M. Gingeras, “(Un)Natural Selection”; and Richard Hawkins, “All Dressed Up.” Parkett. May: 118–163.
Halle, Howard. “Whitney Biennial 2008.” Time Out New York. March 13–19: 78.
Harrison, Rachel and David Joselit. “A Conversation with Peter Fend.” October. Summer:
117–136.
Heartney, Eleanor. “Make it New.” Art in America. April: 82–85.
Sasse, Jörg. “Texte Zur Kunst-Ediition Heft No. 69.” Texte zur Kunst. March: 276–278.
Schjeldahl, Peter. “Lessness.” New Yorker. March 17: 86.
Stech, Fabian. “Rachel Harrison’s Waste Land: ‘Lay of the Land,’ Consortium, Dijon, 5.8–
21.9.2008.” Kunstforum International. September/October: 380–382.
Stocchi, Francesco. “Critics” Picks, Rachel Harrison, Galerie Meyer Kainer.” Artforum
online. November 15–January13: archive/id=21610/>.
Volk, Gregory. “Spring in Dystopia.” Art in America. May: 158–163.
Wetterwald, Elisabeth. “Rachel Harrison.” Sommaire. Autumn: 25–28.

2007
“Rachel Harrison.” Flash Art. May–June: 96.
“Rachel Harrison.” New Yorker. March 19: 40.
“Rachel Harrison, Voyage of the Beagle.” Active Live. May.
Allen, Jennifer. “Moving Targets.” Frieze. October: 232–237.
Baker, George. “The Other Side of the Wall.” October. Spring: 106–137.
Bankowsky, Jack. “Best of 2007.” Artforum. December: 334.
Boucher, Brian. “Let Us Now Praise Famous Men.” Art in America. June/July: 186–189.
Burton, Johanna. “Rachel Harrison.” Artforum. May: 369.
Goldstein, Anne. “Best of 2007.” Artforum. December: 318.
Gopnik, Blake. “The Perfect Show for a World Up to Its Eyes in Trash.” Washington Post.
December 9: M9.
Hainley, Bruce. “Rachel Harrison.” Artforum. May: 196.
Holmes, Pernilla. “In Your Face.” ARTnews. June: 106–111.
Krebs, Edith. “Rachel Harrison im Zurcher Migros-Museum fur Gegenwartskunst.” Neue Zurcher Zeitung. May 3: 57.
Kuo, Michelle. “The Uncertainty of Objects and Ideas: Recent Sculpture.” Artforum.
February: 289.
MacAdam, Barbara. “Object Overruled.” ARTnews. December: 125–126.
McElheny, Josiah. “Readymade Resistance.” Artforum. October: 327.
Montrueil, Gregory. “Rachel Harrison.” Flash Art. July/September: 132.
Morgenthaler, Daniel. “Rachel Harrison.” Tages Anzeiger. May 10: 50.
Saltz, Jerry. “No Man’s Land.” Village Voice: March 21–27: 51.
Saltz, Jerry. “Non-Specific Objects.” Modern Painters. March: 32–34.
Schjeldahl, Peter. “Critic’s Notebook: The Thing Itself.” New Yorker. December 24–31: 26.
Schwendener, Martha. “Seen on the Street: Photographers’ ‘Everyday Epiphanies.’” New
York Times. June 22: E30.
Smith, Roberta. “In Galleries, A Nervy Opening Volley.” New York Times. November 30:
E35, 46.
Smith, Roberta. “Rachel Harrison, If I Did It.” New York Times. February 23: E35.
Viveros-Fauné, Christian. “Great Building, Weak Show.” Village Voice. Dec 5–11: 51.
Wehr, Anne. “Unmonumental: The Object in the 21st Century.” Time Out New York.
December 13–26: 113.
Wüst, Karl. “Aus Ramsch inszenierte Kunst befragt die Kunst.” Mittelland Zeitung
Gesamtausgabe. May 10: 38.
“Harrisons etwas andere Stars,” Werdenberger & Obertoggenburger. April 28.

2006
“Kolner Galerien.” Frankfurter Allgemeine. March 31.
Bonham-Carter, Charlotte. “Stuck on You: It’s hard to tell the princes from the frogs in a
collaborative show.” Art Review. June/July: 25.
Burton, Johanna. “Just Past: Rachel Harrison’s Lagerstätten.” Parkett. May: 150–159.
Cotter, Holland. “Motore Immobile.” New York Times. March 31: E33.
Föll, Heike. Helmut Draxter, Clemens Krümmel, and André Rottmann. “Der Terror der
Nettigkeit.” Texte zur Kunst. June: 232.
Hess, Barbara. “Voyeurismus Zweiten Grades.” Texte zur Kunst. September: 252–255.
Lorch, Catrin. “Anfassen ausdruecklich erlaubt: Ein Rundgang durch.” Metropolis. 85–86.
Mahovsky, Trevor. “Rachel Harrison and Scott Lyall: Contemporary Art Gallery.” Artforum.
September: 386.
Mendelsohn, Adam E. “Pose and Sculpture.” Time Out New York. July 27–August 2: 71.
Miles, Christopher. “Scott Lyall and Rachel Harrison remain true to themselves—but also
accessorize each other—in their first collaboration at LACE.” Los Angeles Times.
August 14: E4.
Porter, Jenelle. “Ten Contemporary Artists.” Believer. December/January: 28–37.

2005
Baker, George. “Photography’s Expanded Field.” October. Fall: 120–140.
Baumann, Daniel. “Rachel Harrison, Skulptur, Sculpture.” Spike. Winter: 50–57.
Beshty, Walead. “Rachel Harrison.” ArtReview. March: 93.
Jackson, Matthew Jesse. “New Work: Rachel Harrison, San Francisco Museum of Modern
Art.” CAA.Reviews. April 26: .
Kerr, Merrily. “The 54th Carnegie International.” Flash Art. January: 51.
Lorch, Catrin. “Auf die Platze, Fetisch, los!” Frankfurter Allgemeine Zeitung. July 19.
Mulholland, Neil. “Glasgow International.” Flash Art. July–September: 51.
Peter, Mick. “Rachel Harrison.” Frieze. September: 139.
Princenthal, Nancy. “Rachel Harrison at Greene Naftali.” Art in America. January: 116.
Scott, Andrea. “The new new things.” Time Out New York. June 2–8: 73.
Searle, Adrian. “I Didn’t Laugh. I Ran.” Guardian. April 26: 12–13.
Sholis, Brian. “Two Into One” and Catherine Wood, “The Stuff: Rachel Harrison's Sculpture.” Afterall. Spring/Summer: 36–52.
Siegel, Katy. “2004 Carnegie International.” Artforum. January: 175.
Smith, Roberta. “The Jeweleigha Set.” New York Times. July 15: E32.
Smith, Roberta. “The Many Shades of Now, Explored in 3 Dimensions.” New York Times.
May 27: E37.
Volk, Gregory. “Report from Pittsburgh: Let’s Get Metaphysical.” Art in America. March:
63–69.

2004
“Rachel Harrison.” New Yorker. May 31: 14.
Bankowsky, Jack. “Best of 2004.” Artforum. December: 162–163.
Burnett, Craig. “Camden Arts Centre, London.” Frieze. April: 87.
Burton, Johanna. “The ‘Urmaterial’ Urge.” Parkett. July: 3–8.
Chasin, Noah. “Rachel Harrison: Greene Naftali Gallery.” Time Out New York. June 10–17.
Hainley, Bruce. “The Consensus Thief.” New York Times Style Magazine. Fall: 276–277.
Halle, Howard. “Slouching Towards Bethlehem.” Time Out New York. August 19–26.
Harris, Jane. “Rachel Harrison.” Village Voice. May 19–25: 89.
Harrison, Rachel. “Dark Bay or Brown Philly.” Texte Zur Kunst. June: 129–134. (Artist’s
project.)
Harrison, Rachel. “Empire State.” Artforum. October.
Hunt, Ian. “Christopher Wool/Rachel Harrison/Cerith Wyn Evans.” Art Monthly. March: 31.
Johnson, Ken. “Pittsburgh Rounds Up A Globe Full of Work Made in Novel Ways.” New York
Times. November 4: E1, E6.
Kelsey, John. “Lakta/Latkas.” Artforum. November: 225.
Kerr, Merrily. “Rachel Harrison.” Flash Art. July–September: 63.
Lafuente, Pablo. “Stand and Deliver.” ArtReview. June: 22.
Raskin, Lisi. “Review.” C Magazine. Fall: 43.
Saltz, Jerry. “Blotto, Meet Buzzed.” Village Voice. May 19–25: 89.
Searle, Adrian. “Northern Lights.” Guardian. February 5: G2: 10–11.
Smith, Roberta. “Rachel Harrison: Latka/Latkas.” New York Times. June 11: E38.
Wilkinson, Dan. “Camden Arts Centre Reopens.” Flash Art. March–April.

2003
“Best New Art Star.” Time Out New York. December 26–January 2: 17.
“Rachel Harrison.” Flash Art. July–September: 103.
Bianchi, Paolo and Thomas Wulffen. “Biennale Venedig: The Structure of Survival.”
Kunstforum International. August–October.
Burton, Johanna. “Reviews: Rachel Harrison.” Time Out New York. August 7–14: 66.
Davidson, Robert A. “Introduction: Spaces of Immigration ‘Prevention’: Interdiction and
the Nonplace.” diacritics. Fall/winter: 3–18. (Artwork included on cover and
throughout journal.)
Rothkopf, Scott. “In the Bag.” Artforum. September: 175–177, 240.
Smith, Roberta. “Matthew Marks Gallery.” New York Times. July 18: E31.

2002
“Masstabwechsel.” Tip Magazin. March.
“Round Table. George Baker, Rosalind Krauss, Benjamin Buchloh, Andrea Fraser, David
Joselit, James Meyer, Robert Storr, Hal Foster, John Miller, Helen Molesworth.”
October. Spring: 200–228.
Anton, Saul. “Shelf Life.” Artforum. November: 162–164, 202, 210. (Cover.)
Baker, George. “Mild About Larry: Film Rebuff.” Aftforum. May: 167–168.
Bell, Kirsty. “Reviews.” Frieze. June/July/August: 123.
Hainley Bruce. “Blind Alleys.” Artforum. November: 162–169, 210. (Cover.)
———. “Rachel Harrison: Milwaukee Art Museum.” Artforum, September.
———. “Mild About Larry: Trust Buster.” Artforum. May: 165–166, 196.
Harrison, Rachel, “Location, Location, Location.” (Artist’s project.) Cabinet, Spring: 32, 66.
Hujer, Elaine. “Wedding Scene as Artworks.” The Hamilton Spectator. November 2.
Molesworth, Helen. “Rachel Harrison.” Documents 21. Fall/Winter: 49–53.
Nickas, Bob. “Mild About Larry: Multiple Voice.” Artforum. May: 162–164
Princenthal, Nancy. “Report from New York: Whither the Whitney Biennial?” Art in America.
June: 49–53.
Schjeldahl, Peter. “Do It Yourself.” New Yorker. March: 98–99.

2001
Alder, Dan. “Rachel Harrison at Greene Naftali.” Art in America. November.
Basilico, Stefano. “Perth Amboy.” Time Out New York. April 19–26: 60.
Hunt, David. “Perth Amboy.” Artext. June–July: 79–80.
Levin, Kim. “Voice Choice.” Village Voice. April 17: 86.
Richard, Frances. “New York: Critics Picks,” Artforum online. March 3:
.
Schwabsky, Barry. “Perth Amboy.” Artforum. Summer: 184.
Smith, Roberta. “Perth Amboy.” New York Times. April 13: E33.

2000
Arning, Bill. “The Harrison Effect.” TRANS>. July 2000: 168–179.
Guelicher, Nina. “Trash Poetic in the Garden.” Blitz Review. March.
Johnson, Ken. “Photasm.” New York Times. November 3: E36.
Moffatt, Laura. “New York Projects.” Art Monthly. September: 48–49.
Moody, Tom. “Secondary Sculptures.” Sculpture. June: 40–45.

1999
Bell, J. Bower. “Rachel Harrison.” Review. June 1.
Halle, Howard. “Rachel Harrison.” Time Out New York. June 17–24: 58.
Harrison, Helen. “Stepping Beyond the Traditional in Still.” New York Times. October 10:
E14.
Hegarty, Laurence. “Monochrome: Patrick Callery Gallery.” New Art Examiner. July/August:
53.
Humphrey, David. “New York e-Mail.” Art Issues. September/October: 42–43.
Johnson, Ken. “Rachel Harrison.” New York Times. June 11: E32.
Schmerler, Sarah. “Garbage Fan.” ARTnews. September: 86.

1998
“98 People to Watch in ’98.” Time Out New York. January 29–February 5.
Arning, Bill. “Camera Shy.” Time Out New York. November 19–26: 63.
Dikeou, Devon. “Paper Trail: Pierogi 2000.” zingmagazine. Fall: 244–247.
Glueck, Grace. “New Photography 14.” New York Times. October 30: E38.
Greene, David A. “Rec Room.” Village Voice. February 3: 139.
Hanks, Victoria. “Rachel Harrison.” New York Arts Magazine. June.
Levin, Kim. “Rachel Harrison.” Village Voice. June 15.
Scott, Whitney. “F-stop wonderland.” New York Post. October 24: 48–49.

1997
Arning, Bill. “Rachel Harrison; The Look of Dress Separates.” Time Out New York. April
10–17: 49.
Cotter, Holland. “The Experimenters.” New York Times. January 10: A22.
Dikeou, Devon. “The Look of Dress Separates.” zingmagazine. Summer: 244–247.
Fineman, Mia. “Rachel Harrison at Greene Naftali.” artnet.com. May 21:
97.asp/>.
Mitchell, Charles Dee. “Rachel Harrison at Greene Naftali.” Art in America. December: 93–
94.
Smith, Roberta. “Current Undercurrent: Working in Brooklyn.” New York Times, October
10: E35.

1996
Arning, Bill. “Rachel Harrison; The Look of Dress Seperates.” Time Out New York. April
10–17: 28
———. “Space, Mind, Place.” Time Out New York. July 17.
Barrett, David. “Sex, Drugs and Explosives.” Art Monthly Magazine. May: 29–30.
Mitchell, Charles Dee. “Eastern Seeboard.” Dallas Morning News. November 28: A49.
Pall, Ellen. “The Do-it-yourself Dealers,” New York Times Magazine. September 1: 28–35.
Postel, Geraldine. “Rachel Harrison.” zingmagazine. Winter/Spring: 212–213.
Reid, Calvin. “Rachel Harrison at Arena.” Art in America. September: 114.
Saltz, Jerry. “Summer Group Show/ Greene Naftali.” Time Out New York. July 24–July 30:
34.
Schjeldahl, Peter. “Hudson’s Way.” Village Voice. July 2: 87.
Schmerler, Sarah. Review, Time Out New York, March 27–April 3: 24.
Servetar, Stuart. “Space, Mind, Place.” New York Press. July 17.
Smith Roberta. “Rachel Harrison—Arena Gallery.” New York Times. March 15: C27.
———. “Space, Mind, Place.” New York Times. July 19: C26.

1995
Borum, Jennifer. “Looky Loo, High Anxiety.” Artforum. December: 91–92.
Schjeldahl, Peter. “Gallery Legs.” Village Voice. May 30: 81.

1994
Craddock, Sarah. “Gallery Tight.” London Times. July 5.
Smith, Roberta. “For the New Galleries of the ’90s, Small (and Cheap) Is Beautiful.” New
York Times. April 22: C1.
Lillington, David. “Tight.” The Tannery Time Out London. July 6–13: 51.

1993
Smith, Roberta. “Examining Culture Through its Castoffs.” New York Times. November 28:
39, 44.
———.“Seven Rooms/Seven Shows.” New York Times. January 8: C18.
Wallach, Amei. “SoHo’s Museum Row.” New York Newsday. April 2

1992
McConaughy, Claire. “Grunge Ho: A New Emphasis on Degeneration of Presentation
Reintegration.” COVER. March: 18–19.
Mahoney, Robert. “unlearning.” ARTS magazine. March: 81.
Kelly, Chistina. “What Now.” Sassy. March: 43.


Public Collections

Albright Knox Museum, Buffalo, NY
Art Gallery at Ontario, Toronto
Art Institute of Chicago, Chicago
Astrup Fearnley Museum, Oslo, Norway
Baltimore Museum of Art
Blanton Museum of Art, Austin
Carnegie Museum of Art, Pittsburgh
Columbus Museum of Art, Columbus
The Fogg Art Museum, Harvard University
The Hammer Museum, Los Angeles
Hessel Museum of Art, Annandale-on-Hudson
Hirshhorn Museum & Sculpture Garden, Washington D.C.
LACMA, Los Angeles
Metropolitan Museum of Art, New York
migros museum für gegenwartskunst, Zurich
Musee des Beaux-Arts de Montreal, Montreal
Museum Boijmans Van Beuningen, Rotterdam
MOCA, Los Angeles
MCA, Chicago
Museum Ludwig, Cologne
Museum of Modern Art, New York
Philadelphia Museum of Art
Seattle Museum of Art
SFMOMA, San Francisco, CA
Solomon R. Guggenheim Museum, New York
Stedelijk Museum, Amsterdam
Van Abbemuseum, Eindhoven, The Netherlands
Walker Art Center, Minneapolis
Whitney Museum of American Art, New York