Richard Hawkins

Born 1961 in Mexia, Texas.
Lives & works in Los Angeles, California.


1988 California Institute of the Arts, Valencia; MFA
1984 University of Texas, Austin, TX; BFA


Richard Hawkins: Hijikata Twist, Tate Liverpool, Liverpool

Le Consortium, Dijon
Richard Telles, Los Angeles

Greene Naftali, New York

Scalps, Dungeon Doors and Salome Paintings, Galerie Daniel Buchholz, Berlin

Art Institute of Chicago, Chicago.Travels to the Hammer Museum, Los Angeles
Richard Telles Fine Art, Los Angeles

Greene Naftali, New York
Corvi-Mora, London

Celestial Telegraph Paintings, Galerie Daniel Buchholz, Berlin
Galerie Daniel Buchholz, Koln

Of Two Minds, Simultaneously, De Appel Center for Contemporary Art, Amsterdam
Richard Telles Fine Art, Los Angeles

Urbis Paganus – Part I + III, Galerie Daniel Buchholz, Cologne
Corvi-Mora, London
Greene Naftali Gallery, New York

Richard Telles Fine Art, Los Angeles
Galerie Daniel Buchholz, Cologne
Corvi-Mora, London

Richard Telles Fine Art, Los Angeles
Kunstverein Heilbronn
Galerie Praz-Delavallade, Paris

Corvi-Mora, London
Galerie Daniel Buchholz, Cologne

Galerie Praz-Delavallade, Paris

Richard Telles Fine Art, Los Angeles
Galerie Daniel Buchholz, Cologne
Corvi-Mora, London

Galerie Praz-Delavallade, Paris
Richard Telles Fine Art, Los Angeles

Ynglingagtan 1, Stockholm

Richard Telles Fine Art, Los Angeles

Richard Telles Fine Art, Los Angeles
Feature, New York

Ynglingagatan 1, Stockholm
Richard Telles Fine Art, Los Angeles

Feature, New York
Richard Telles Fine Art, Los Angeles

Roy Boyd Gallery, Santa Monica
Mincher/Wilcox Gallery, San Francisco


Collection on Display, Migros Museum, Zürich
Radiation: Art and Queer Ideas from Bangkok and Manila, Un-compared,
curated by Brian Curtin, The Art Center, Chulalongkorn University,
The Crime Was Almost Perfect, Witte de With, Rotterdam

Curated by Shane Cambell, Federica Schiavo, Rome
Paperwork: A Brief History of Artists' Scrapbooks, Andrew Roth, New York

Automaton, Galerie Daniel Buchholz, Koeln
Whitney Biennial, curated by Sondra Gilman and Jay Sanders, Whitney Museum of American Art, New York
Collection show, Stedelijk Museum, Amsterdam

Utopia/Dystopia: Constructed with Photography, Museum of Fine Arts, Houston
Cornfabulation, David Kordansky Gallery, Los Angeles
Quodlibet III – Alphabets and Instruments, Galerie Buchholz, Köln
Camulodunum, Firstsite, Colchester, UK
CLAP, CCS Bard Hessel Museum of Art, Annandale-on-Hudson, NY

The Artists’ Museum, Museum of Contemporary Art, Los Angeles
At Home/Not At Home: Works from the Collection of Martin and Rebecca Eisenberg, CCS
Bard Hessel Museum of Art, Annandale-on-Hudson, NY
The Page, curated by John Stezaker and Matthew Higgs, Kimmerich, New York
So Be It: Interventions in Printed Matter, Andrew Roth Gallery, New York
Don Juan in the Village, curated by Bjarne Melgaard, Lars Bohman Gallery, Stockholm

Frottage, organized by Alex Kitnick, Miguel Abreu Gallery, New York
Beg Borrow and Steal, the Rubell Family Collection, Miami (catalogue)
Rotating Views #2 – Works from the Astrup Fearnley Collection, Astrup Fearnley Museum
of Modern Art, Oslo, Norway
Quodlibet II, Galerie Daniel Buchholz, Koln
Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary
Drawings Collection, MoMA, New York

Aaron Curry, Richard Hawkins, Peter Saul, David Kordansky Gallery, Los Angeles
Works on Paper by Gallery Artists and Ricci Albenda, Greene Naftali, New York
Painting Now and Forever, Part II, Greene Naftali and Matthew Marks, New York
Just Different, Cobra Museum of Modern Art, Amsterdam
Strange Events Permit Themselves The Luxury of Occurring, Camden Arts Centre, London
Index: Conceptualism in California from the Permanent Collection, Museum of
Contemporary Art, Los Angeles

Uneasy Angel / Imagine Los Angeles, Monika Sprueth Philomene Magers, Munich
Oh Girl, It’s a Boy!, Kunstverein Muenchen, Muenchen, Germany
Post Rose: Artists in and out of the Hazard Park Complex, Galerie Christian Nagel, Berlin
Makers and Modelers: Works in Ceramic, Barbara Gladstone, New York
You Always Move in Reverse, Leo Koenig, New York, curated by Bjarne Melgaard
If Everyone Had an Ocean. Brain Wilson: An Art Exhibition, Tate St. Ives, St. Ives, UK
Fit to Print, Gagosian Gallery, New York
Good Morning, Midnight, Casey Kaplan, New York, curated by Bruce Hainley

Red Eye: LA Artists from the Rubell Family Collection, Rubell Family Collection, Miami
Under Pressure, Art:Concept, Paris
The Swan Is Very Peaceful…, Richard Telles Fine Art, Los Angeles
Galerie Daniel Buchholz at Metro Pictures, New York
Shane Campbell Gallery, Oak Park, Illinois

The Blake Byrne Collection, Museum of Contemporary Art, Los Angeles, curated by Ann Goldstein and Michael Darling (catalogue)

Teil 2 “Quodlibet,” Galerie Daniel Buchholz, Cologne
shortlybeforeafter, The Photographic Collection, Cultural Foundation, Cologne
Powered by Emotions, Frankfurt Kunstverein, in conjunction with the Ursula Blickle
Stiftung, Germany
Three Day Weekend: April 17, Public Art Fund Projects in Central Park, a collaboration
with the Whitney Biennial, New York, curator Dave Muller

Wit From Rainbow Part I, The Project. Los Angeles, curated by Katie Brennan Hans Broek, Taft Green, Richard Hawkins, Richard Telles Fine Art, Los Angeles
Honey, I rearranged the collection, 1a Kempsford Road, London
Ishtar, Midway Contemporary Art, St. Paul, MN, Curated by Bruce Hainley (catalogue)

Phil, Hollywood, Los Angeles
"The Gallery Show,” Royal Academy of Art, London; curators Norman Rosenthal and Max
Grey Gardens, Michael Kohn Gallery, Los Angeles; curator Bruce Hainley
Draguer, Transmission Gallery, Glasgow
L.A. On My Mind: Recent Acquisitions from MOCA’s Collection,
Museum of Contemporary Art, Los Angeles
crisp, Marianne Boesky Gallery, New York
Richard Hawkins, Stan Kaplan, Pae White, Richard Telles Fine Art, Los Angeles
Mirror Image, UCLA Hammer Museum, Los Angeles
Prophets of Boom — Werke aus der Sammlung Schuermann, Kunsthalle Baden-Baden
Sammlung Schuermann, K21 Kunstsammlung im Staendehaus, Duesseldorf (catalogue)

Heads or Tails, Galerie Praz-Delavallade, Paris
The Communications Department, Anthony Wilkinson Gallery, London; curator Alex

Galerie Daniel Buchholz at Juergen Becker, Hamburg
Unraveling Desire, Center for Curatorial Studies, Bard College, Annandale on Hudson;
curator Gregory Sandoval (brochure)
2002, M du B. F, H & g, Montreal
Kai Althoff, Thomas Eggerer, Isa Genzken, Richard Hawkins, Jochen Klein, Frances Stark,
Vincente Tavenne, Wolfgang Tillmans, Galerie Daniel Buchholz, Cologne
Hairy Forearm’s Self-Referral, Feature, New York
Thirty Curators, Concept Art Gallery, Pittsburgh
Etcetera, Spacex Gallery, Exeter

Youth Studies, Post, Los Angeles
Persuasion: Tales of Commerce and the Avantgarde, University of Buffalo Art Gallery
Curious.parking@stupendous.strawberry, Galerie S. & H. Buck, Gent, Belgium; curator
Karen Emenheiser (catalogue)
Art in the Age of the Consumer: Works from the Collection of the Museum of
Contemporary Art, Feldman Gallery, Pacific Design Center, Los Angeles

Feature, New York
WOp: works on/off paper, ANP, Antwerp, Belgium
More, X L Gallery, New York; curator Tony Payne
He Swam Down, Away, Audiello Fine Art, New York; curator Tony Payne
Hollywood Satan, Mark Moore Gallery, Santa Monica
In Your Face, The Warhol Museum, Pittsburgh
More, Xavier La Boulbenne, New York; curator Tony Payne
Codex USA: Works on Paper by American Artists, Entwhistle, London
Fantastic Matter of Fact, Galerie Krinzinger, Vienna; curator Dave Muller
Science, Feature, New York
"The Unreal Person: Portraiture in the Digital Age," Huntington Beach
Art Center; curator Irit Krieger (catalogue)
Head, Spanish Kitchen, Los Angeles

Chill, University of California Gallery, Irvine
Hello, Feature, New York
Gnarleyland, Feature, New York
Scene of the Crime, Hammer Museum, UCLA, Los Angeles; curator Ralph Rugoff
Yardsale, Special K. Exhibitions, Los Angeles

Nirvana: Capitalism and the Consumed Image, Center of Contemporary Art, Seattle
Tangles, Otis Gallery, Otis College of Art and Design, Los Angeles
How will we behave? Robert Prime, London
Ginny Bishton, Richard Hawkins, Pae White, Richard Telles Fine Art, Los Angeles

Crystal Blue Persuasion, Feature, New York
The Moderns, Feature, New York, curated by Tony Payne
It's Only Rock & Roll, Phoenix Art Museum, curated by David S. Ruben (catalogue).
Smells Like Vinyl, Roger Merians Gallery, New York
Youth Culture Killed My Dog (But I Don't Really Mind), TBA ExhibitionSpace, Chicago
Narcissistic Disturbance, Otis Gallery, Otis College of Art & Design, Los Angeles; curator
Michael Cohen (catalogue)
In A Different Light, University Art Museum, Berkeley, Curated by Nayland Blake & Larry Rinder (catalogue)

Pure Beauty: Some Recent Work From Los Angeles, American Center Paris; Museum of
Contemporary Art, Los Angeles, curated by Ann Goldstein
And, Feature, New York
Interdisciplinary, Woodbury University Art Gallery, Burbank, curated by Sue Spaid
Mechanical Reproduction, Galerie van Gelder, Amsterdam, curated by Jack Jaeger
The Use of Pleasure, Terrain, San Francisco, curated by Robert Nickas (catalogue)
Second Skin, Espace, San Francisco, curated by Charles La Belle
Red Rover, Three Day Weekend, Los Angeles, curated by Jory Felice (catalogue)
Slice & Dice, Gallery 400, University of Illinois at Chicago, curated by Susan Sensemann
Tiny Shoes, New Langton Arts, San Francisco

Feature, New York
Caca, Kiki, San Francisco
Home Alone, Bliss, Pasadena, curated by Michael Cohen
Trisexual, TRI, Los Angeles
Stoned (HighLow), Ruth Bloom Gallery, Santa Monica, curated by Veralyn Behenna and
Rick Pirro (brochure)
Commodity Image, International Center of Photography, New York; Institute of
Contemporary Art, Boston; Kunsthal Rotterdam; Laguna Art Museum, Laguna
Beach; High Museum of Art, Atlanta, curated by Willis Hartshorn
This Can't Be Love, Clay Doyle Gallery, Los Angeles

Trouble Over So Much Skin, Feature, New York
The Mud Club, Winchester Cathedral & Lake Nairobi, Gahlberg Gallery,
Arts Center, College of DuPage, curated by Hudson (catalogue)
True Grit, B.B. La Femme Gallery, San Diego
Man Alive, Dooley Le Cappelaine, New York
Hollywood, Hollywood: Identity Under the Guise of Celebrity, Art Center College of
Design, Pasadena, curated by Fred Fehlau
In Pursuit of a Devoted Repulsion, Roy Boyd Gallery, Santa Monica

Stussy, Feature, New York
Joy Felice, Richard Hawkins, B. Wurtz, Roy Boyd Gallery, Santa Monica
The Rock Show, Southern Exposure, San Francisco
Presenting Rearwards, Rosamund Felsen Gallery, Los Angeles; curated by Ralph Rugoff
Situation: Perspectives on Lesbian and Gay Artists, New Langton Arts, San Francisco,
curated by Pam Gregg and Nayland Blake (catalogue)
Examples Cool and Lonely, Roy Boyd Gallery, Santa Monica

Que Overdose!, Mincher/Wilcox Gallery, San Francisco, curated by Nayland Blake

HoHoHoMo, Feature, New York
Loaded, Richard Kuhlenschmidt Gallery, Los Angeles, curated by Tony Greene and Jeff
Beall (catalogue)

Online Projects

Warhol Museum, Pittsburgh, PA (no longer extant)

The Vampire Lecture-Notes, (collaboration with Laurence A. Rickels), University of Minnesota Press (no longer extant)


Hawkins, Richard. Fragile Flowers. Dijon: Les presses du réel, 2013. Print.
Holzwarth, Hans Werner, John Beeson, and Christopher Cordy. Art Now. Koeln:
Taschen, 2013. 198

Zinn, Elizabeth Stepina, ed. Richard Hawkins: Third Mind. Chicago: The Art Institute of Chicago.

Muller, Christopher, ed. Richard Hawkins: Of two minds, simultaneously. Koeln: Verlag der Buchhandlung Walter König.

Buchholz, Daniel and Christopher Müller, eds. Richard Hawkins. Koeln: Galerie Daniel Buchholz, Corvi-Mora, Richard Telles Fine Art.


"Richard Hawkins." TimeOut New York. 18-24 October: 41.
Fox, Dan. "Whitney Biennial 2012." Frieze. September.
McGarry, Kevin. "Live From the Whitney Biennial." The New York Times Style
Magazine. March 2: Web.
Rimanelli, David. "A Room of Their Own." Artforum. May: Web.

Tillmans, Wolfgang. "Best of 2011." Artforum. December: 192.
Mclean-Ferris. "Camulodunum, Firstsite, Colchest." The Independent, October 21:
Kotz, Liz. “Richard Hawkins: Hammer Museum, Los Angeles,” Artforum,
Summer 2011 pp 396-397.
“143 works: Richard Hawkins,” doingbird #15, May 2011
Buckley, Annie. “Richard Hawkins.” Art in America. May 11.
Wagley, Catherine. “Looking at Los Angeles: Killed Posterity.” art:21 blog.
10 March, 2011. Web.
Grabner, Michelle. “Review: Richard Hawkins: Third Mind.” Xtra Contemporary Art
Quarterly. Web. Spring 2011, Volume 13 Number 3.
Katsof, Alhena. “Richard Hawkins: Third Mind.” Kaleidoscope Issue 10, Spring
2011: 138.
Knight, Christopher. “Art review: ‘Richard Hawkins: Third Mind’ at the UCLA
Hammer Museum.” Los Angeles Times. Web. 21 February 2011.
Young, Paul. “The Beautiful and the Damned.” Los Angeles Times Magazine. Web.
Myers, Terry. “Richard Hawkins: Third Mind” ArtReview, January. Web.

Hainley, Bruce. “Clement’s Time.” Artforum, posted October 24. Web.
Hodge, Brooke. “Seeing Things: Richard Hawkins’s Haunted Houses.” T Magazine
Online. , posted May 27.
Hawkins, Richard. “Hicksploitation.” (text on Aaron Curry) Kaleidoscope. February-
Smith, Roberta. “Art? Life? Must We Choose?,” New York Times. Friday, July 2, 2010. p.
C21, C25.

Holte, Michael Ned, “Best of 2009,” Artforum, December, pp.192-193.
Hawkins, Richard, “Best of 2009: The Artists’ Artists: Larry Johnson (Hammer Museum,
Los Angeles),” Artforum, December, p. 97.
Johnson, Ken, “Art in Review: Richard Hawkins,” New York Times, Friday, December 18,
Coomer, Martin, “Reviews: UK, Richard Hawkins, Corvi-Mora, London,” Art Review, April.
Interview, “Richard Hawkins, Haunted Houses Explore the Passage of Time,” Dazed and
Confused, February.

Grabner, Michelle, “Richard Hawkins: De Appel”,, January.
Kaiser, Philipp, “Richard Hawkins: Infinitely Desired,” Parkett, No. 84, pp.11-14.

Eichler, Dominic, “Variety Shows;” Holte, Michael Ned, “Options, Not Solutions;” Afterall, v.
15, Summer (cover illust.)
Schwabsky, Barry, “Richard Hawkins,” Artforum, March.

Krebber, Michael, “Notes from the Slip Box,” Grey Flags.
Farquharson, Alex, “Different Strokes,” Frieze, March, p. 135–139.
Wolin, Joseph, “Richard Hawkins,” Time Out New York, June 15–21, p. 74.

Myers, Terry, “Richard Hawkins,” Modern Painters, February.
Miles, Christopher, “Richard Hawkins,” Artforum, February, p. 178.

"Critic's Picks: Richard Hawkins/Richard Telles Fine Art, Los Angeles," review by Michael
Ned Holte,
"My Pop (as told to Russell Ferguson)," Artforum, October, p. 265
Review, Flash Art, October, p. 132
Michael Krebber, Review, Texte zur Kunst, Booklet No. 55, September, p. 178
Myers, Terry R., "Abstract to a fault," ArtReview, May

Sussman, Tamara: "Hans Broek, Taft Green, Richard Hawkins," ArtUS,

Waldron, Glenn: “The things we do for art”, i-D, May.
Pagel, David: “MOCA Sampler is a mixed Treat,” Los Angeles Times, February 8.

Unruh, Reiner: “Junge Kunst aus Kalifornien,” Kunst-forum International, No. 154,
Coles, Sadie: “Mario Testino’s Art Index,” Visionaire, May/June

Coomer, Martin, Review, Time-Out, May 31-June 7.
Farquharson, Alex: Review, Frieze, September/ October.
“Collage Hommage”, Gay Times, June.
Hawkins, Richard : “Top Ten”, Artforum, November.

Cohen, Michael: Review, Flash Art, pp. 131-132 (reproduction).
Hainley, Bruce: "Message to Michael," Frieze, September/October.
Angus, Ivy: “WOp:ANP Antwerp, Belgium,” ZINGMAGAZINE, Spring/Summer.
Lambrecht, Luc: “Americaans En Toch Niet,” De Morgan, February 12.
Popelier, Bert: “Jonge Amerikanen,” De Financieel Economische Tijd, February 3.

Cotter, Holland: "Art in Review: Jochen Klein, Raghubir Singh; Richards Hawkins, Scott Hug
and Jeff Ono," The New York Times, June 26.
Cream: Contemporary Art in Culture,” Phaidon Press Ltd., London (essay by Susan
Hainley, Bruce: Review, Artforum, March.
Jaeger, William: “Shock Tactics: Contemporary Photography Flirts with Disaster, Art New
England, October/November.
Meyers, Terry R.: Review, ON PAPER, March/April.
Miles, Christopher: "un-real!" Detour Magazine, April.
Miles, Christopher: "Notes on Richard Hawkins, Lost Heads," X-Tra, Spring/Summer.

Arning, Bill: "More," Time Out New York, Dec. 24.
Curtis, Cathy: " The Cold Shoulder," Los Angeles Times, Oct 21.
Doran, Ann: Review, Time Out New York, August 7.
Ollman, Leah: Review, Los Angeles Times, November 28.

Kandel, Susan: Review, Los Angeles Times, May 28.
"Goings on About Town," The New Yorker, August 5.

Connors, Thomas: Review (Youth Culture Killed My Dog) (But I Don't Really Mind), New Art
Examiner, September.
Ericsson, Lars O.: "Tva Kronor Provocerar Mer aen Homoerotik," Dagens Nyheter, November
Greene, David A: "Beyond Etch-a Sketch," Los Angeles Reader, April.
Kandel, Susan: "Hawkin's Latest on Male Desire: Decorative Not Edgy," Los Angeles Times,
April 13.
Kandel, Susan: "Taking an Intriguing Look at Three Distinct Visions," Los Angeles Times,
May 28.
Knight, Christopher: "Last Chance for Eden: Selected Art Criticism by Christopher Knight,
1979 - 1994," edited by Malin Wilson, forward by Dave Hickey. Art Issues Press,
Los Angeles, pp. 309 – 312.
Wilk, Deborah: Review (Youth Culture), Flash Art, Summer

Breerette, Genevieve: "Tout nouveau, tout beau," Le Monde, June 8.
Duncan, Michael: "L.A. Rising," Art in America, December.
Fayard, Judy, "Gehry's Diamond in the Rough," Wall Street Journal Europe, June 10.
Kapitanoff, Nancy: "Giving Mixed Messages," Los Angeles Times, May 6.
Lieberman, Rhonda: "Revenge of the Mouse Diva: Karen Kilimnik," Artforum, February.
Meyers, Terry: Review, Art Issues, March/April.
Sanburn, Curt: "At Home with Male Erotica," Out, April.
Wilson, William: "Irony Becomes Stale Second Time Around," Los Angeles Times,
September 28.

Cohen, Michael: "The City Without Organs," FlashArt, March/April.
Duncan, Michael: Review (Hollywood, Hollywood), Art Issues, January/February.
Kandel, Susan: Review, Los Angeles Times, October 27.
Pagel, David: Review (TRI-Sexual), The Los Angeles Times, April 1.

"From New York," BT-Bijutso Techno, October.
Carlson, Lance: Review, Artweek, December 17
David, Jennie: "Buttholes, Bricabrac and Body Parts: Marginalia in 'TrueGrit'," Gay and
Lesbian Times, June 27.
Levin, Kim: "Choices," The Village Voice, August 4.
Marrs, Jennifer: "Simple Style with a Complex Meaning," Courier, October.
"Goings on About Town," The New Yorker, July 27.
Pagel, David: Review (three-person exhibition/Roy Boyd), Art Issues, March/April.
Pagel, David: "Fluff and Force," The Los Angeles Times, December 3.
Smith, Dean: Review, Artweek, August 6

Cooper, Dennis: "Openings," Artforum, November.
Fehlau, Fred: Review, Flash Art, November/December.
"Feature Creatures," Flash Art, November/December.
Gerstler, Amy: Review (Sweet Oleander), Artforum, September.
Kandel, Susan: "L.A. in Review," Arts, October.

Abbott, Steve: "Gay Iconography In Context', Bay Area Reporter, September 20.

Fehlau, Fred: "Whose Nature," Art Issues, May.
Gupta, Sunil: "Homosexualities: AIDS and Representations," 10-8 Magazine.
Hirsch, Doug: "Art Column," The Village Voice, January.
Ischar, Doug: "Parallel Oppressions," Afterimage, February.
Miller, Daryl H.:"Tragedy of AIDS Epidemic Shades Varied Art Works in 'Against Nature',"
Los Angeles Daily News, January 7.
Pagel, David: Review, Arts, Summer.
Spiegel, Judith: "Brave and Troubled Voices," Artweek August 12.
Stephens, Richard: "Aspects of Our Corporeal Selves," Artweek, August 12.

Atkins, Robert: "How do You Photograph AIDS?," The Village Voice, June 28.


"Untitled," by Frances Stark, Los Angeles Contemporary Exhibitions, Los Angeles (editor)

"Score," a novella by Craig Lee, privately published, Los Angeles (co-editor with Dennis
"Sweet Oleander," an exhibition of work by Tony Greene, Los Angeles Contemporary Exhibitions, Los Angeles (curator)
"Exhausted Autumn," a collection of fiction, criticism, and testimony for the exhibition
"Sweet Oleander," Los Angeles Contemporary Exhibitions, Los Angeles (editor)
"New Trends in Criticism," a panel discussion, OutWrite Gay and Lesbian Writer's Conference, San Francisco (panelist)

"Against Nature," an exhibition of work by homosexual men, co-curated with Dennis
Cooper, Los Angeles Contemporary Exhibitions, Los Angeles.

"Chains of Bitter Illusion," collaborative wall painting with Tony Greene, Los Angeles
Contemporary Exhibitions, Los Angeles
"AIDS and Democracy," a panel discussion organized by Group Material, DIA Art
Foundation, New York (panelist)


"500 Words: Richard Hawkins." Artforum. 29 February: Web.
"Ankoku." Whitney Biennial 2012. Ed. Elisabeth Sussman, Jay Sanders. New York:
Whitney Museum of American Art, 2012. 126-27.
"Taksumi Hijikata." Frog Number 11. 2012: 98-9.

“Hicksploitation.” (text on Aaron Curry) Kaleidoscope. February-March.

"Enigmarelle: The Statuesque." Parkett No. 82: pp. 120-129.

"I Feel Mysterious Today," Palm Beach Institute of Contemporary Art, curated by Dominic
Molon (with Sarah Gavlak, PBICA consulting curator).

"Postmortem: Devil May Sign," ArtUS, June/August, pp. 44-45.

Mirage #4/Period(ical) #1, ed. by Kevin Killian and Dodie Bellamy, San Francisco.
Ewert, Mark, and Watkins, Mitchell, editors, Ruh Roh!, Issue One, Winter,. published by F
eature, New York.
"The Magician, ME," Some Weird Sin, ed. by Wayne Smith and Rex Ray, San Francisco.
"Paul McCarthy," Art Issues, March/April.

“Grim," The Body, The Renaissance Society at the University of Chicago.
"Sleepy Hollow," Discontents, ed. by Dennis Cooper, Grove Press, New York.
"Dennis Cooper," Detour, June.
"Ghostwritten," essay for exhibition catalogue Exhausted Autumn, Los Angeles
Contemporary Exhibitions, Los Angeles.
“Filthy Feast,” short story.

RE: Punch Agonistes, an essay, Richard Kuhlenschmidt Gallery, Los Angeles
Framework Magazine, Fall.
Dear World, San Francisco
"A Collection of Seven Pieces", Farm, guest edited by Dennis Cooper, Feature, New York,
and Instituting Contemporary Idea.
"Just Pathetic," Art Issues, November.
"Shut Up," Framework, Vol. 3, Issue 2-3.

"Untitled," contribution to publication for the exhibition "Loaded," Richard Kuhlenschmidt
Gallery, Los Angeles.
"Horror of Nature," (collaboration with Tony Greene) Real Life Magazine, Winter.

"Milzsucht und Ideal," Revenge, Vol.1, No. 1.
"Notations Toward Deciphering Elements of Illness and Loss Through J.K. Huysman's
'Against Nature'," essay for exhibition catalogue Against Nature, Los Angeles.
Contemporary Exhibitions, Los Angeles


Otis College of Design Faculty Development Grant

US/Japan Creative Artist Fellowship

Art Matters Fellowship